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La Philosophie aujourd'hui; La philosophie de l'art; Goethe; Les chemins du labyrinthe; Qu'est-Ce Que Le Beau; Goethe, science et philosophie; Le "Voyage en Italie" de Goethe; La philosophie au XXème siècle. Introduction à la pensée. philosophique. contemporaine. Essai et textes, Paris, Hatier, 1988
La Psychologie de l'Art (The Psychology of Art) is a work of art history by André Malraux. The book offers an explication of Malraux's philosophy of art via the history of Western painting . It was originally published in three volumes: The Imaginary Museum (1947); The Artistic Creation (1948); and Aftermath of the Absolute (1949).
L'or des images : art, monnaie, capital (in French), La Dispute, Paris, 2015; Communisme et stratégie (in French), Amsterdam, Paris, 2019; Avec Marx, philosophie et politique (in French), interviews directed by Alexis Cukier and Isabelle Garo with Alain Badiou, Etienne Balibar, Jacques Bidet, Michael Löwy and Lucien Sève, La Dispute, Paris, 2019
All that you see here—the architecture and all the other features—merely provided the occasion for the real work of Art, which lies in the distribution of light and dark." This, he held, was precisely the essence of Rembrandt's art. As it was, he showed only a "lantern slide" of the companion painting by Salomon Koninck discussed above. [53]
Philosophie der Kunst (lecture) (delivered 1802–3; published 1859) as The Philosophy of Art (1989) Minnesota: Minnesota University Press. Vorlesungen über die Methode des akademischen Studiums (delivered 1802; published 1803) as On University Studies, translated E. S. Morgan, edited N. Guterman, Athens, Ohio: Ohio University Press (1966).
What is Philosophy? (French: Qu'est-ce que la philosophie ?) is a 1991 book by the philosopher Gilles Deleuze and the psychoanalyst Félix Guattari.The two had met shortly after May 1968 and collaborated most notably on Capitalism & Schizophrenia (Volume 1: Anti-Oedipus (1972); Volume 2: A Thousand Plateaus 1980) and Kafka: Towards a Minority Literature (1975).
The essays seek to understand and explain the relatively new movement of nonrepresentational art and defend these pioneering artists attempting to escape from the embraced realism and romanticism movements. [1] The dehumanization of art refers to the removal of human elements from these works, eliminating the content, but keeping the form.
Art for art's sake—the usual English rendering of l'art pour l'art (pronounced [laʁ puʁ laʁ]), a French slogan from the latter half of the 19th century—is a phrase that expresses the philosophy that 'true' art is utterly independent of all social values and utilitarian functions, be they didactic, moral, or political.