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The Symphony No. 3 in E ♭ major, Op. 55, (also Italian Sinfonia Eroica, Heroic Symphony; German: Eroica, pronounced [eˈʁoːikaː] ⓘ) is a symphony in four movements by Ludwig van Beethoven. One of Beethoven's most celebrated works, the Eroica symphony is a large-scale composition that marked the beginning of the composer's innovative ...
[2] [3] Plantinga theorizes that a source may be Clementi's Piano Sonata in F minor, Op. 13, No. 6 (composed in 1784), where the first seven or eight notes of the Eroica theme can be matched, with a simpler rhythm, with the beginning of the third movement (in a minor key), and later to the melody in a major key (the Eroica theme is in a major ...
Ferdinand Ries (baptised 28 November 1784 – 13 January 1838) was a German composer. Ries was a friend, pupil and secretary of Ludwig van Beethoven.He composed eight symphonies, a violin concerto, nine piano concertos (the first concerto is not published), three operas, and numerous other works, including 26 string quartets.
Download as PDF; Printable version; In other projects ... Pages in category "Symphony No. 3 (Beethoven)" ... Eroica (2003 film)
Symphony No. 3 (Mozart) in E-flat major (K. 18), now attributed to Carl Friedrich Abel, c. 1764; Symphony No. 3 (Myaskovsky) in A minor (Op. 15) by Nikolai Myaskovsky, 1914; Symphony No. 3 (Natra) by Sergiu Natra; Symphony No. 3 (Nielsen) (Op. 27, FS 60, Espansiva) by Carl Nielsen, 1910–11; Symphony No. 3 (Nørgård) by Per Nørgård, 1972–75
Symphony No. 3 in E-flat Major may refer to: Symphony No. 3 in E-flat major, Op. 4, WK 9, by Carl Friedrich Abel; Symphony No. 3 (Beethoven) the Eroica; Symphony No. 3 (Dvořák) Symphony No. 3 (Mozart) now considered to be the work of Carl Friedrich Abel, being his Symphony No. 6; Symphony No. 3, Op. 90 (1813) by Ferdinand Ries
Symphony No. 3 , analysis and discography at AllMusic. Retrieved 7 August 2015. Retrieved 7 August 2015. Archived copy of Eric Grunin's Eroica Discography (2007)
Its most obvious source is Beethoven's 5th Symphony, for example the short-short-short-long repetition of G played by the horns in the third movement. But it has other progenitors: the Finale of Mozart's Jupiter Symphony (a personal favorite of Strauss as a conductor) and the Fugue from Bach's Solo Violin Sonata in G minor BWV 1001.