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Robert Lee Frost (March 26, 1874 – January 29, 1963) was an American poet. Known for his realistic depictions of rural life and his command of American colloquial speech, [2] Frost frequently wrote about settings from rural life in New England in the early 20th century, using them to examine complex social and philosophical themes.
Robert Frost: A Life received positive reviews. Publishers Weekly noted "there could be no better tribute for a poet so often underrated, maligned and misunderstood than this sympathetic and balanced portrayal." TheThe New York Times called the book "a pleasure to read, combining penetrating commentary on the poetry and good illustrative ...
The 'Dymock Poets' are generally held to have comprised Robert Frost, Lascelles Abercrombie, Rupert Brooke, Edward Thomas, Wilfrid Wilson Gibson and John Drinkwater, some of whom lived near the village in the period between 1911 and 1914. Eleanor Farjeon, who was involved with Edward Thomas, also visited.
Thompson's second accompanying volume on Frost, Robert Frost: The Years of Triumph, 1915–1938, was released a few years later in 1970. [4] [5] When Thompson died in 1973 while writing the final volume of his Frost biography, his assistant R.H. Winnick completed Robert Frost: The Later Years, 1938-1963 and made the book available in 1976. [6]
Robert Frost: A Lover's Quarrel With the World is a 1963 American documentary film directed by Shirley Clarke and starring Robert Frost. [3] Summary
A Boy's Will is a poetry collection by Robert Frost, and is the poet's first commercially published book of poems.The book was first published in 1913 by David Nutt in London, with a dedication to Frost's wife, Elinor.
Robert, though once a member of Manhattan's elite, soon left the family company altogether, and went into hiding. He is now infamous for his connection to a slew of murders -- his wife Kathleen's ...
"Stopping by Woods on a Snowy Evening" is a poem by Robert Frost, written in 1922, and published in 1923 in his New Hampshire volume. Imagery, personification, and repetition are prominent in the work. In a letter to Louis Untermeyer, Frost called it "my best bid for remembrance". [2]