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Lorenzo's grandfather, Cosimo de' Medici, was the first member of the Medici family to lead the Republic of Florence and run the Medici Bank simultaneously. As one of the wealthiest men in Europe, the elder Cosimo spent a very large portion of his fortune on government and philanthropy, for example as a patron of the arts and financier of public works. [7]
Clement VII, also known as Giulio di Giuliano de' Medici, was the nephew of Lorenzo and the son of Giuliano de' Medici, who was assassinated in the Pazzi conspiracy in 1478. As with Leo X, Michelangelo was educated alongside Clement VII and for many years, the two communicated in great detail both via letter and in person. [13]
The victory at Calabria gave Lorenzo de' Medici confidence to keep working with Giuliano. Consequently, Lorenzo commissioned him to design a villa in Poggio a Caiano after holding a competition to determine the best design. [3] Construction on the villa began in 1485 and remained largely unfinished throughout Lorenzo's life.
The House of Medici (English: / ˈ m ɛ d ɪ tʃ i / MED-itch-ee, UK also / m ə ˈ d iː tʃ i / mə-DEE-chee; [4] Italian: [ˈmɛːditʃi]) was an Italian banking family and political dynasty that first consolidated power in the Republic of Florence under Cosimo de' Medici and his grandson Lorenzo "the Magnificent" during the first half of the 15th century.
Lorenzo di Pierfrancesco de' Medici (4 August 1463 – 20 May 1503), nicknamed the Popolano, was an Italian banker and politician, the brother of Giovanni il Popolano. He belonged to the junior (or "Popolani") branch of the House of Medici of Florence .
Amerigo Vespucci's Letter from Seville (18 July 1500), written to his patron Lorenzo di Pierfrancesco de' Medici, describes experiences on Alonso de Ojeda's May 1499 voyage. Vespucci's findings during the Age of Discovery led Spain people to believe that North and South America were not connected to Asia , which was a common belief at the time ...
The painting was commissioned by Vasari's patron Ottaviano de' Medici, and is a posthumous portrait of Lorenzo de' Medici, the ruler of the Republic of Florence, who had died in 1492. The portrait is similar in style to the one of Cosimo the Elder by Pontormo .
His father, Diotifeci d'Agnolo, was a physician under the patronage of Cosimo de' Medici, who took the young man into his household and became the lifelong patron of Marsilio, who was made tutor to his grandson, Lorenzo de' Medici. Giovanni Pico della Mirandola, the Italian humanist philosopher and scholar, was another of his students. [3]