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Comparative mythology has served a variety of academic purposes. For example, scholars have used the relationships between different myths to trace the development of religions and cultures, to propose common origins for myths from different cultures, and to support various psychoanalytical theories.
The literary collection of Greco-Roman myths with the greatest influence on later Western culture was the Metamorphoses of the Augustan poet Ovid. Syncretized versions form the classical tradition of mythography , and by the time of the influential Renaissance mythographer Natalis Comes (16th century), few if any distinctions were made between ...
The trickster is a common stock character in folklore and popular culture. A clever, mischievous person or creature, the trickster achieves goals through the use of trickery. A trickster may trick others simply for amusement or for survival in a dangerous world. The trickster could be a personification of the chaos that the world needs to function.
A characteristic of many of the myths is the close relationship between human beings and animals (including birds and reptiles). They often feature shape-shifting between animal and the human form. Marriage between people and different species (particularly bears) is a common theme. In some stories, animals foster human children.
American mythology is the body of traditional stories pertaining to America's most legendary stories and folktale, dating back to the late 1700s when the first colonists settled. "American mythology" may also refer to the modern study of these representations, and to the subject matter as represented in the literature and art of other cultures ...
As examples, comparative mythology is the study of connections between myths from different cultures, [29] whereas Greek mythology is the body of myths from ancient Greece. In the field of folkloristics , a myth is defined as a sacred narrative explaining how the world and humankind came to be in their present form [ 30 ] [ 31 ] [ 32 ] and how ...
In traditional cultures, it is common for the recitation of an origin myth to be preceded by the recitation of a cosmogonic myth. [4] Within academic circles, the term myth is often used specifically to refer to origin and cosmogonic myths. Folklorists, for example, reserve the term myth for stories that describe
Myth criticism, a discipline that studies myths (mythology contains them, like a pantheon its statues), is by nature interdisciplinary: it combines the contributions of literary theory, the history of literature, the fine arts and the new ways of dissemination in the age of communication.