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As the alto trombone declined in popularity during the 19th century, this practice was gradually abandoned and first trombone parts came to be notated in the tenor or bass clef. Some Russian and Eastern European composers wrote first and second tenor trombone parts on one alto clef staff (the German Robert Schumann was the first to do this ...
The valve trombone emerged concurrently with the invention of valves in the early 19th century. Most early instruments retained the shape and form of the slide trombone, employing three valves with the tubing arranged in place of the slide; others used the new valve mechanism as an opportunity to explore different configurations while retaining the overall cylindrical bore and bell profile.
With Georg Christoph Wagenseil and Matthias Georg Monn he was a precursor of the First Viennese School. Starzer composed numerous symphonies, concerts, the Singspiel Die drei Pächter, and other orchestral works and chamber music. He is credited with dozens of ballet, although the music of many has since been lost. [2]
The "Viennese tuning" ... In the first decade of the 21st century, ... tuba and bass trombone, and in 2007 Synaxis for double bass, horn, ...
The First Viennese School is a name mostly used to refer to three composers of the Classical period in late-18th-century Vienna: Haydn, Mozart, and Beethoven. Franz Schubert is occasionally added to the list. In German-speaking countries, the term Wiener Klassik (lit. Viennese classical era/art) is used.
Together with Georg Christoph Wagenseil and Josef Starzer, Monn formed the Viennese Pre-Classical movement ("Wiener Vorklassik"), whose composers are nowadays mostly known only by their names. However, his successful introduction of the secondary theme in the symphony was an important element for the First Viennese School ( Haydn , Mozart ...
Christian Friedrich Sattler (1778–1842) [1] was a brass instrument maker and inventor in Leipzig, Germany.In 1821, Sattler became renowned for two inventions: the chromatic valve trumpet which applied three valves to the natural trumpet to provide a fully chromatic range for the first time, and the Tenorbaßposaune (lit.
Muzio Filippo Vincenzo Francesco Saverio Clementi (23 January 1752 – 10 March 1832) was an Italian-British [1] composer, virtuoso pianist, pedagogue, conductor, music publisher, editor, and piano manufacturer, who was mostly active in England.