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Robert Francis (August 12, 1901 – July 13, 1987) was an American poet who lived most of his life in Amherst, Massachusetts.. His 1953 poem, “The Pitcher”, is a classic work among coaches, athletes, baseball players—and pitchers and artists.
Robert Francis belonged to the middle of the Jeune Droite catholique des années 1930 ("Young Catholic Right of the 1930s"). [ 1 ] [ 2 ] He was a friend of Thierry Maulnier ; together with him and his brother Jean-Pierre Maxence, he wrote Demain la France ("Tomorrow France"), a charge against the Popular Front government, written on the morrow ...
A writer learning the craft of poetry might use the tools of poetry analysis to expand and strengthen their own mastery. [4] A reader might use the tools and techniques of poetry analysis in order to discern all that the work has to offer, and thereby gain a fuller, more rewarding appreciation of the poem. [5]
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Applicants to TASP were required to write essays in response to six prompts, with each essay a maximum length of 1,500 words. Sample essay prompts included "Discuss a specific problem or topic in a field that interests you" and "Write a critical analysis of a book, poem, play, essay, or other text you have read outside of school."
The poem asks you to analyze your life, to question whether every decision you made was for the greater good, and to learn and accept the decisions you have made in your life. One Answer to the Question would be simply to value the fact that you had the opportunity to live. Another interpretation is that the poem gives a deep image of suffering.
Coffin served with the US Army in World War I. When he returned he taught English at Wells College and then as the Pierce Professor at Bowdoin College. [1]Modeled after his friend and fellow poet Robert Frost's Bread Loaf Writers' Conference, Coffin was the co-founder with Carroll Towle of the Writers' Conference of the University of New Hampshire in 1956.
The Scottish painter John Faed produced a series of illustrations featuring scenes from the poem, some of which were subsequently engraved by William Miller. [4] Scenes from the poem also inspired paintings by David Wilkie [5] and William Kidd, [6] and William Allan's painting of Burns writing the poem was subsequently engraved by John Burnet. [7]