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"5-10-15-20 (25-30 Years of Love)" is a 1970 song by The Presidents. It is the title track and first release from their album. The song was produced by Van McCoy.It reached number 11 on the US Billboard Hot 100, number 5 on the R&B chart and was nominated for a Grammy Award for Best R&B Performance by a Duo or Group with Vocals.
The song entered the UK chart at number 48 in June 1970 and reached number 10 in August, finally leaving the chart in October 1970. [4] In the US, it reached number 98 in the Billboard Hot 100. [5] In Canada, it reached number 56. [6] Unusually, the A-side of this single is to be played at 45 rpm whilst the B-side is to be played at 33⅓ RPM. [3]
It has inspired songs such as Rob Paravonian's "Pachelbel Rant" and the Axis of Awesome's "Four Chords", which comment on the number of popular songs borrowing the same tune or harmonic structure. [1] [2] "Four Chords" does not directly focus on the chords from Pachelbel's Canon, instead focusing on the I–V–vi–IV progression. [3]
It is a collection of 1950s and 1960s rhythm & blues covers influential to the members of the group during their early years. It is the last album to feature founding member and bassist, Mario Cipollina , who left the band after the subsequent tour.
The song's popularity has reached far beyond the band's; CCLI places the song among the 30 most-sung worship songs in the United States [1] and has been called a "modern worship classic". [2] According to Martin Smith, the author of the song: "That song just wrote itself in about five minutes. The same chords the whole way through the song.
The vi chord before the IV chord in this progression (creating I–vi–IV–V–I) is used as a means to prolong the tonic chord, as the vi or submediant chord is commonly used as a substitute for the tonic chord, and to ease the voice leading of the bass line: in a I–vi–IV–V–I progression (without any chordal inversions) the bass ...
The chord progression is also used in the form IV–I–V–vi, as in songs such as "Umbrella" by Rihanna [5] and "Down" by Jay Sean. [6] Numerous bro-country songs followed the chord progression, as demonstrated by Greg Todd's mash-up of several bro-country songs in an early 2015 video. [7]
Signature songs can be the result of spontaneous public identification, or a marketing tool developed by the music industry to promote artists, sell their recordings, and develop a fan base. [1] Artists and bands with a signature song are generally expected to perform it at every concert appearance, often as an encore on concert tours ...