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Margaret Petherbridge Farrar (March 23, 1897 – June 11, 1984) was an American journalist and the first crossword puzzle editor for The New York Times (1942–1968). Creator of many of the rules of modern crossword design, she compiled and edited a long-running series of crossword puzzle books – including the first book of any kind that Simon & Schuster published (1924). [1]
The book had been difficult to publish as MacLennan had previously written regarding international themes, while Barometer Rising contained a decidedly nationalist overtone. Once published, the novel was wildly successful, and permitted MacLennan to leave his full-time job at Lower Canada College .
The Udyoga Parva (Sanskrit: उद्योग पर्वः), or the Book of Effort, is the fifth of eighteen books of the Indian epic Mahābhārata. [1] Udyoga Parva traditionally has 10 parts and 199 chapters. [2] [3] The critical edition of Sabha Parva has 12 parts and 197 chapters. [4] [5]
The subject for which the book is probably most widely known, the rear-engined Chevrolet Corvair, is covered in Chapter 1—"The Sporty Corvair–The One-Car Accident." This relates to the first models (1960-1963) that had a swing-axle suspension design which was prone to "tuck under" in certain circumstances.
Book III describes the work as biography. As becomes apparent from the first few chapters of the novel, in which Richardson and Cibber are parodied mercilessly, the real germ of Joseph Andrews is Fielding's objection to the moral and technical limitations of the popular literature of his day.
It is the first novel in The Dresden Files, his first published series, and it follows the character of Harry Dresden, professional wizard. [1] The novel was later adapted into a pilot for a SyFy channel television series , [ 3 ] though Jim Butcher felt the writers were not attempting to recreate the novel on a "chapter by chapter or even story ...
The wave of attempted book banning and restrictions continues to intensify, the American Library Association reported Friday. “I've never seen anything like this,” says Deborah Caldwell-Stone ...
Bishop asserts that "it is impossible to overlook the vital presence of the Book of the Dead in Finnegans Wake, which refers to ancient Egypt in countless tags and allusions." [174] Joyce uses the Book of the Dead in Finnegans Wake, "because it is a collection of the incantations for the resurrection and rebirth of the dead on the burial". [175]