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In rhetoric, epizeuxis, also known as palilogia, is the repetition of a word or phrase in immediate succession, typically within the same sentence, for vehemence or emphasis. [ 1 ] [ 2 ] A closely related rhetorical device is diacope , which involves word repetition that is broken up by a single intervening word, or a small number of ...
In the interest of historically informed performance, some singers of Medieval, Renaissance and Baroque music adopt the pronunciation of the composer's period and region. While in Western university classics departments the reconstructed classical pronunciation has been general since around 1945, [ citation needed ] in the Anglo-American legal ...
Aposiopesis (/ ˌ æ p ə s aɪ. ə ˈ p iː s ɪ s /; Classical Greek: ἀποσιώπησις, "becoming silent") is a figure of speech wherein a sentence is deliberately broken off and left unfinished, the ending to be supplied by the imagination, giving an impression of unwillingness or inability to continue. [1]
The smallest pitch difference between notes (in most Western music) (e.g. F–F ♯) (Note: some contemporary music, non-Western music, and blues and jazz uses microtonal divisions smaller than a semitone) semplice Simple sempre Always sentimento Feeling, emotion sentito lit. "felt", with expression senza Without senza misura Without measure ...
Apophasis (/ ə ˈ p ɒ f ə s ɪ s /; from Ancient Greek ἀπόφασις (apóphasis), from ἀπόφημι (apóphemi) 'to say no') [1] [2] is a rhetorical device wherein the speaker or writer brings up a subject by either denying it, or denying that it should be brought up. [3]
In rhetoric, antanaclasis (/ æ n t ə ˈ n æ k l ə s ɪ s, ˌ æ n t æ n ə ˈ k l æ s ɪ s /; from the Greek: ἀντανάκλασις, antanáklasis, meaning "reflection", [1] from ἀντί anti, "against", ἀνά ana, "up" and κλάσις klásis "breaking") is the literary trope in which a single word or phrase is repeated, but in two different senses. [2]
Adynaton was a widespread literary and rhetorical device during the Classical Period.In the Eclogue of Plutarch, there is a long list of proverbs and the first section is titled ΠΕΡΙ ΤΩΝ ΑΔΥΝΑΤΩΝ, consisting of proverbs that are built on adynaton. [5]
Cümbüş Music is still an active company in Istanbul and manufactures a wide range of traditional Turkish instruments. [7] The instruments are hand made in the family's workshop in Istanbul, by three members of the Cümbüş family, Naci Abidin Cümbüş and his two sons Fethi and Alizeynel.