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José Monje Cruz (5 December 1950 – 2 July 1992), better known by his stage name Camarón de la Isla, was a Spanish Romani flamenco singer. Considered one of the all-time greatest flamenco singers, he was noted for his collaborations with Paco de Lucía and Tomatito, and the three of them were of major importance to the revival of flamenco in the second half of the 20th century.
All artists included on this list, including charts, have their available claimed figures supported by available from countries with recording certifications. With the exception of certifications from Spain prior to 2003, the certified units are sourced from countries with local music industry associations including those with online databases.
Paco de Lucía (1947–2014), flamenco guitarist and composer; regarded as one of the finest guitarists in the world and the greatest living guitarist of the flamenco genre Opera singers [ edit ]
Silverio Franconetti (1875) Silverio Franconetti y Aguilar, also known simply as Silverio (June 10, 1831 – May 30, 1889) was a singer and the leading figure of the period in flamenco history known as The Golden Age, which was marked by the creation and definition of most musical forms or palos, the increasing professionalization of flamenco artists, and the shift of center from private ...
Carmen Amaya (2 November 1918 – 19 November 1963) occasionally known by the stage name La Capitana, was a Spanish Romani flamenco dancer and singer, born in the Somorrostro district of Barcelona, Catalonia, Spain. She is often hailed as "the greatest Flamenco dancer ever" [1] and "the most extraordinary personality of all time in flamenco dance."
Pastora Pavón Cruz, known as La Niña de los Peines (10 February 1890 – 26 November 1969), is considered the most important woman flamenco singer of the 20th century. [1] She was a sister of singers Arturo Pavón and Tomás Pavón, also an important flamenco singer, and aunt to Arturo Pavón, the first flamenco pianist.
He was exposed to traditional flamenco music as a child while vacationing each summer in his parents' native Andalusia in southern Spain. [7] Originally, Sanz intended to become a flamenco performer, but he found the music teachers to be overly strict. Commenting on his early experiences, Sanz explained, "Flamenco can be very hard on beginners.