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By 1914, continuity cinema was the established mode of commercial cinema. One of the advanced continuity techniques involved an accurate and smooth transition from one shot to another. [ 77 ] Cutting to different angles within a scene also became well-established as a technique for dissecting a scene into shots in American films. [ 81 ]
April 1937 5 April Elephant Boy ; 9 April The Soldier and the Lady; 10 April Marked Woman; The Tale of the Fox (Germany) 16 April Way Out West; 18 April Love from a Stranger (GB) 20 April A Star Is Born; 23 April The Woman I Love; 28 April Woman Chases Man; 30 April Night Must Fall; May 1937 7 May Shall We Dance; They Gave Him a Gun; 8 May The ...
The Adventures of a Good Citizen (1937) dir. Stefan Themerson; Two Men and a Wardrobe (1958) dir. Roman Polanski; Das Blaue Licht (1932) dir. Leni Riefenstahl; Triumph of the Will (1935) dir. Leni Riefenstahl; Behind the Scenes of the Filming of the Olympic Games (1937) dir. Leni Riefenstahl; Olympia Part Two: Festival of Beauty (1938) dir ...
The development of cinema is characterised by technological breakthroughs, from early experiments in the recording of day-to-day activity, experiments in colour, different formats and sound. From the 1970s, the development of computer-generated imagery became integral to the way that films are produced.
Following the switch to talking movies c. 1926/1927, many classic films were remade in the 1930s (and later). These include Alice In Wonderland (1933), Cleopatra (1934), and The Prisoner of Zenda (1937). Monsters. Among the numerous remakes and new films were the 'monster movies', with a wide spectrum of
French impressionist cinema has crafted the essence of cinematography, as France was a film pioneering country that showcased the birth of cinema using the medium invented by the Lumière brothers. Italian neorealism designed the vivid reality through a human lens by creating low budget films outside directly on the streets of Italy.
Triumph of the Ordinary: Depictions of Daily Life in the East German Cinema, 1949–1989 (chapel Hill, 2002) Garncarz, Joseph, and Annemone Ligensa, eds. The Cinema of Germany (Wallflower Press, distributed by Columbia University Press; 2012) 264 pages; analyses of 24 works from silent movies to such contemporary films as "Good Bye, Lenin!"
Hollywood films in the 1940s included morale films for those serving in World War II and their families. War films made extensive use of models and miniature photography. . New techniques developed to realistically depict naval battles were used in films like Thirty Seconds Over Tokyo (1944) and Ships with Wings (194