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AllMusic reviewer Ken Chang stated "Wolf adamantly refuses to back down from his rivals, resulting in a flood of contentious studio banter that turns out to be more entertaining than the otherwise unmemorable music from this stylistic train wreck. Although Wolf and Waters duke it out in earnest on the blues standards, the presence of Diddley ...
The Howlin' Wolf Album, like rival bluesman Muddy Waters's album Electric Mud, was designed to appeal to the hippie audience. [37] The album had an attention-getting cover: large black letters on a white background proclaiming "This is Howlin' Wolf's new album.
In 1954, Howlin' Wolf moved to Chicago with money that he earned through the success of the singles he recorded at Sun Records which Chess released, and the legendary rivalry with Muddy began. The rivalry was, in part, stoked by Willie Dixon providing songs to both artists, with Wolf suspecting that Muddy was getting Dixon's best songs. [ 26 ]
Super Blues is a 1967 studio album by a blues supergroup consisting of Bo Diddley, Muddy Waters, and Little Walter. The album was released in both mono and stereo formats by Checker Records in June 1967. [1] A follow-up album The Super Super Blues Band was released later that year and featured Howlin' Wolf replacing Little Walter.
The best-known Chicago blues musicians include singer-songwriters and bandleaders Muddy Waters, Howlin' Wolf, and Willie Dixon; guitar players such as Elmore James, Luther Allison, and Buddy Guy; and harp (blues slang for harmonica) players such as Little Walter, Paul Butterfield, and Charlie Musselwhite. Since the 1960s, the Chicago blues ...
Willie Dixon was a Chicago blues artist, perhaps best known for his songwriting. [1] He wrote or co-wrote over 500 songs [2] and his work has been recorded by some of the best-known blues musicians of his era, including Muddy Waters, Howlin' Wolf, and Little Walter.
The Real Folk Blues is a series of blues albums released between 1965 and 1967 by Chess Records, later reissued MCA Records.Each album in the series highlighted the music of one major Chess artist, including John Lee Hooker, Howlin' Wolf, Muddy Waters, and Sonny Boy Williamson II.
Muddy Waters's first 78 rpm record in 1941 listed him using his birth name, McKinley Morganfield. The late 1940s–mid-1950s record releases by Aristocrat Records and Chess Records sometimes used "Muddy Waters and His Guitar" as well as Muddy Waters. From the late 1950s on, he is identified as Muddy Waters. [47]