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Since September 2011, Moran has run the YouTube channel The Chieftain, which focuses on "long-form, in-depth videos, with a priority on getting inside vehicles to gain the 'human factors' evaluation of things from the end user's perspective as well as other materials sourced from archives."
"I Know My Love" (credited to The Chieftains featuring The Corrs) reached No. 37 in 1999. [21] Dr. Gearóid Ó hAllmhuráin [22] said the success of The Chieftains helped place Irish traditional music on a par with other musical genres in the world of popular entertainment. By collaborating with pop and rock musicians, they have taken Irish ...
Primal (also known as Genndy Tartakovsky's Primal or Primal: Tales of Savagery) is an American adult animated action television series created and directed by Genndy Tartakovsky for Cartoon Network's night-time programming block, Adult Swim. It is the first combined action/sci-fi/horror animated series from Cartoon Network Studios and Williams ...
"Spear and Fang" is the series premiere of the first season of the American adult animated action-drama Primal. It premiered unannounced on Adult Swim's YouTube channel and website on October 4, 2019, before premiering on Adult Swim itself four days later on October 8, 2019. [1] It was written and directed by Genndy Tartakovsky. In the episode ...
The Chieftain is a two-act comic opera by Arthur Sullivan and F. C. Burnand based on their 1867 opera, The Contrabandista. It consists of substantially the same first ...
The Chieftains. Paddy Moloney - bagpipes [Uilleann], flute, tin whistle; Kevin Conneff - bodhrán; Derek Bell - dulcimer [Tiompán], harp, keyboards
The Primal Love. Meliton (Мелитон). Zhurnal Dlya Vsekh, 1901, No.7, July, as "Skit". Included into the book The Primal Love (as "Meliton"). Praised by editor Viktor Mirolyubov, "Skit"/"Meliton" marked the beginning of Bunin's long collaboration with this Saint Petersburg magazine. Censors cut the last three lines of the story, much to ...
The preference for males in most systems of primogeniture (and in other mechanisms of hereditary succession) comes mostly from the perceived nature of the tasks and role of the monarch: a monarch/prince (the latter means in Latin, chieftain) most usually was, first and foremost, a military leader, as in the Book of Numbers. [17]