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SS marschiert in Feindesland ("SS marches in enemy territory") also known as Teufelslied ("The Devil's Song") [7] was a marching song of the Waffen-SS during the German-Soviet War. The music for this song came from the Lied der Legion Condor ("Song of the Condor Legion"), whose lyrics and music were written by Wolfram Philipps and Christian ...
"Erika" is a German marching song. It is primarily associated with the German Army, especially that of Nazi Germany, although its text has no political content. [1] It was created by Herms Niel and published in 1938, and soon came into usage by the Wehrmacht. It was frequently played during Nazi Party public events.
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Contrary to Nazi claims, there were no attacks on the funeral procession. [16] His funeral was filmed and turned into a major propaganda event by the NSDAP. [16] The "Horst Wessel Song" was sung by the SA at the funeral, and was thereafter extensively used at party functions, as well as sung by the SA during street parades.
The "Panzerlied" ('Tank Song') is a Wehrmacht march of the Nazi era, sung primarily by the Panzerwaffe—the tank force of Nazi Germany during World War II. It is one of the best-known songs of the Wehrmacht and was popularised by the 1965 film Battle of the Bulge. [1] It was composed by Oberleutnant Kurt Wiehle in 1933.
The song is notable for its inclusion in both the official songbooks of the German Nazi Party, as well as the National People's Army of the German Democratic Republic. [4] In the modern-day, Wir sind des Geyers schwarzer Haufen remains a popular song performed by various German music groups. Depending on the specific arrangement and performer ...
Music in Nazi Germany, like all cultural activities in the regime, was controlled and "co-ordinated" (Gleichschaltung) by various entities of the state and the Nazi Party, with Propaganda Minister Joseph Goebbels and the prominent Nazi theorist Alfred Rosenberg playing leading – and competing – roles.
"Der Heimliche Aufmarsch" (lit. ' The Secret Deployment ') is a German communist song based on a poem by Erich Weinert written in 1929. The following year, Wladimir Vogel composed music to it, and there is a recording of this original melody with Weinert himself providing the vocals.