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In Stitched from the Soul (1990), Gladys-Marie Fry asserted that quilts were used to communicate safe houses and other information about the Underground Railroad, which was a network through the United States and into Canada of "conductors", meeting places, and safe houses for the passage of African Americans out of slavery.
Barbara Brackman (born July 6, 1945) is a quilter, quilt historian and author. [1]Barbara has written numerous books on quilting during the Civil War including Facts & Fabrications: Unraveling the History of Quilts and Slavery, Barbara Brackman's Civil War Sampler, Barbara Brackman's Encyclopedia of Appliqué, America's Printed Fabrics 1770-1890, Civil War Women, Clues in the Calico, Emporia ...
Jane A. Blakeley was born in Shaftsbury, Vermont on April 8, 1817. She married on 29 October 1844, Walter Stickle and together they took in at least three local children. [2] [3] The couple lived in Shaftsbury throughout their marriage, and with Jane's brother, Erasatus Blakely, owned several farms and tracts of land.
Fundraising quilt. Leading up to the American Civil War, quilts were made to raise funds to support the abolitionist movement then during the war, quilts were made to raise funds for the war effort and to give warmth and comfort to soldiers. The patterns were much like those made mid-century but the purpose was different.
One of the most important quilt patterns that was seen throughout the American Indian communities was the Star Quilt. It had both common, utilitarian purposes, as well as ceremonial purposes. They also became very important to the economy of the reservation. [10] Star of Bethlehem Quilt. The Star Quilt pattern in quilting is an eight-pointed ...
Quilt historians and scholars of pre-Civil War (1820–1860) America have disputed this legend. [193] There is no contemporary evidence of any sort of quilt code, and quilt historians such as Pat Cummings and Barbara Brackman have raised serious questions about the idea.
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Harriet Powers (October 29, 1837 – January 1, 1910) [1] was an American folk artist and quilter born into slavery in rural northeast Georgia. Powers used traditional appliqué techniques to make quilts that expressed local legends, Bible stories, and astronomical events.
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