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From a distance, massing, more than any architectural detail, is what creates the most impact on the eye. [6] Architectural details or ornaments may serve to reinforce or minimize massing. [7] Because it has a direct relation to the visual impact a building makes, massing is one of the most important architectural design considerations. [1]
In the tectonics as envisioned by Bötticher, the function (defined as requirements for internal space) had driven the design: the size determined the roof technology to be used, the latter in turn mandated the support requirements, creating a structural outline of the building, architecture was an art of resolution of the conflicts between the ...
Conceptual art; Decollage; Decorative art; Design, as a verb, it refers to the process of originating and developing a plan for a new object (machine, building, product, etc.). As a noun, it is used both for the final plan or proposal (a drawing, model, or other description), or the result of implementing that plan or proposal (the object ...
In the visual arts, composition is often used interchangeably with various terms such as design, form, visual ordering, or formal structure, depending on the context. In graphic design for press and desktop publishing, composition is commonly referred to as page layout.
The Wainwright Building in St. Louis, Missouri, designed by Louis Sullivan and built in 1891, is emblematic of his famous maxim "form follows function".. Form follows function is a principle of design associated with late 19th- and early 20th-century architecture and industrial design in general, which states that the appearance and structure of a building or object (architectural form) should ...
A form is an artist's way of using elements of art, principles of design, and media. Form, as an element of art, is three-dimensional and encloses space. Like a shape, a form has length and width, but it also has depth. Forms are either geometric or free-form, and can be symmetrical or asymmetrical.
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Content, on the other hand, refers to a work's subject matter, i.e., its meaning. [2] [3] But the terms form and content can be applied not only to art: every meaningful text has its inherent form, hence form and content appear in very diverse applications of human thought: from fine arts to even mathematics and natural sciences. Even more, the ...