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Someone to Watch Over Me: Ridley Scott 1987 United States, United Kingdom [8] Still of the Night: Robert Benton 1982 United States [8] Stormy Monday: Mike Figgis: 1988 United Kingdom [13] [14] Sudden Impact: Clint Eastwood 1983 United States [8] Tagos ng Dugo: Maryo J. de los Reyes: 1987 Philippines [8] The Terminator: James Cameron: 1984 ...
Horror noir (sometimes referred to as noir horror or hyphenated as horror-noir; lit. ' black horror ' ) is a film subgenre that blends elements of both horror and noir . It combines the dark, atmospheric qualities of noir with the suspense and fear typical of horror, creating a hybrid genre that integrates aspects of both.
Lord of Illusions is a 1995 American neo-noir supernatural horror film written and directed by Clive Barker, based on his own short story The Last Illusion published in 1985 in the anthology Books of Blood Volume 6. The same story introduced Barker's occult detective Harry D'Amour, who later appeared in several prose stories and comic books.
The X-Files (1993-2002) Love cop shows but tired of the same old format? You’ll get a breath of fresh air with The X-Files.David Duchovny and Gillian Anderson shine as investigators Mulder and ...
"Killer Heat" is based on "The Jealousy Man," a short story by the hugely popular Norwegian crime novelist Jo Nesbø, and whatever intrigue it had on the page has been largely tamped down by the ...
Neo-noir is a film genre that adapts the visual style and themes of 1940s and 1950s American film noir for contemporary audiences, often with more graphic depictions of violence and sexuality. [1] During the late 1970s and the early 1980s, the term "neo-noir" surged in popularity, fueled by movies such as Sydney Pollack 's Absence of Malice ...
The film noir genre generally refers to mystery/crime dramas produced from the early-1940s to the late 1950s. Movies of this genre were shot in black and white , and featured stories involving femmes fatales , doomed heroes / anti-heroes , and tough, cynical detectives .
American neo-noir films. Neo-noir film directors refer to 'classic noir' in the use of tilted camera angles, interplay of light and shadows, unbalanced framing; blurring of the lines between good and bad and right and wrong, and thematic motifs including revenge, paranoia, and alienation.
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