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Leaf album painting of flowers, a butterfly, and a twisted rock sculpture, by Chen Hongshou (1598–1652). During the Ming dynasty (1368–1644), Chinese painting progressed further basing on the achievements in painted art during the earlier Song dynasty and Yuan dynasty. The painting techniques which were invented and developed before the ...
The Four Masters of the Ming dynasty (Chinese: 明四家; pinyin: Míng Sì Jiā) are a traditional grouping in Chinese art history of four famous Chinese painters that lived during the Ming dynasty. The group consists of Shen Zhou (1427–1509), Wen Zhengming (1470–1559), Tang Yin (1470–1523), and Qiu Ying (c.1494–c.1552).
Emperor Xuanzong's Journey to Sichuan, a late Ming dynasty painting by Qiu Ying (1494–1552) The Ming dynasty (1368–1644) of China was known for its advanced and cultured society. The culture of the Ming dynasty was deeply rooted in traditional Chinese values, but also saw a flourishing of fine arts, literature, and philosophy in the late ...
During the Ming dynasty, the Chinese stressed their connection to nature. They viewed nature as a part of one's intellectual and spiritual growth. [1] Man and nature worked together as a team. The views portrayed in this painting are meant to be anthropocentric, which sees humans as the most important piece of our universe. [2]
Ch'ing Ming Shang Ho, Spring Festival on the River. A Scroll Painting (Ex. Coll. A.W. Bahr) of the Ming Dynasty after a Sung Dynasty Subject, Reproduced in Its Entirety and in Its Original Size in a Portfolio of 23 Collotype Plates and 12 Enl. Details. New York: Metropolitan Museum of Art.
With his special gift for copying paintings, Qiu Ying found favour among collectors, bringing him an opportunity to copy and learn from Song and Yuan dynasty paintings in the collections of the Jiangnan area and greatly broadening his artistic scope. As Qiu Ying's skills in painting matured, a style of his own gradually emerged and took form.
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