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When issued as a CD single, the Secret Garden version of "You Raise Me Up" charted at #103 on the UK Singles Chart in May 2002. [8] Despite this modest initial success, the song has since become a major hit around the world, having been covered more than 125 times. [9]
The leading-tone seventh chords are vii ø 7 and vii o 7, [24] the half-diminished and diminished seventh chords on the seventh scale degree of the major and harmonic minor. For example, in C major and C minor, the leading-tone seventh chords are B half-diminished (B–D–F–A) and B diminished (B–D–F–A ♭), respectively.
In this chord, F is a minor seventh above G. In Roman numeral analysis, G 7 would be represented as V 7 in the key of C major. This chord also occurs on the seventh degree of any natural minor scale (e.g., G7 in A minor). The dominant seventh is perhaps the most important of the seventh chords.
Put another way, it is the key whose tonic is the dominant scale degree in the main key. [8] If, for example, a piece is written in the key of C major, then the tonic key is C major and the dominant key is G major since G is the dominant note in C major. [9] "Essentially, there are two harmonic directions: toward I and toward V.
Whereas a major triad, such as C–E–G, contains a major third (C–E) and a minor third (E–G), with the interval of the fifth (C–G) being perfect, the augmented triad has an augmented fifth, becoming C–E–G ♯. In other words, the top note is raised a semitone. H.R. Palmer notes:
Scott Joplin's "The Entertainer" is written in C major. Many musicians have pointed out that every musical key conjures up specific feelings. [5] This idea is further explored in a radio program called The Signature Series. American popular songwriter Bob Dylan claimed the key of C major to "be the key of strength, but also the key of regret". [6]
The harmonic major scale has its own set of modes, distinct from the harmonic minor, melodic minor, and major modes, depending on which note serves as the tonic.Below are the mode names, their degrees, and the following seventh chords that can be built using each modal tonic or degree of the parent mode as the root: a major seventh chord, a half-diminished seventh chord, a minor seventh chord ...
Harmonic minor contains seven types of seventh chords: a minor major seventh chord (i m(maj7)), a half-diminished seventh chord (ii m7(−5)), an augmented major seventh chord (III aug(maj7)), a minor seventh chord (iv m7), a dominant seventh chord (V 7), a major seventh chord (VI maj7), and a diminished seventh chord (vii dim7).
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