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Black (2015 Belgian film) ... 23 quai du Commerce, 1080 Bruxelles; K. King of the Belgians (film) M. ... La Vie sexuelle des Belges 1950–1978
Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles (French pronunciation: [ʒan dilman vɛ̃ntʁwɑ kɛ dy kɔmɛʁs milkatʁəvɛ̃ bʁysɛl], "Jeanne Dielman, 23 Commerce Quay, 1080 Brussels") is a 1975 film written and directed by Belgian filmmaker Chantal Akerman.
Les Boulevards du Centre. Bruxelles, ville d'Art et d'Histoire (in French). Vol. 20. Brussels: Centre d'information, de Documentation et d'Etude du Patrimoine. L'institut dentaire George Eastman Bruxelles et quelques autres réalisations de l'architecte Michel Polak (in French), Edition d'art et de publicité "Mundus" s.a., Brussels, 1937
Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles; K. King of the Belgians (film) L. ... The Verdict (2013 film) La Vie sexuelle des Belges 1950–1978; Y. The ...
The film begins and ends in "reality" where Max and Muriel lead a futile, vacuous but bourgeois life in high finance (and the implication being that Muriel is the boss's daughter, thus imitating Egeus' involvement in Hermia's marriage to Demetrius in Midsummer Night's Dream), but almost all the action takes place in a dreamlike trance where the ...
The World's Most Beautiful Swindlers was released in France in August 1964, in Italy in 1964, in Japan on 4 October 1964 and in the Netherlands on 12 November 1965. [1] [2] [5] In the United States, the film was released on 12 September 1967 by Ellis Films and Continental Distributing.
Holidays by the Sea (French: Ni à vendre ni à louer) is a 2011 French comedy film directed by Pascal Rabaté. [ 1 ] [ 2 ] The film is a cinematic rendering of a comic that Rabaté himself wrote. Like in some films of Jacques Tati , the characters use expressions and gestures instead of dialogues to communicate between them.
The World Is Yours (French: Le Monde est à toi) is a 2018 French crime comedy film co-written and directed by Romain Gavras. It stars Karim Leklou, Isabelle Adjani, Vincent Cassel, Oulaya Amamra, François Damiens and Philippe Katerine. It was selected to screen at the Directors' Fortnight section of the 2018 Cannes Film Festival. [2] [3]