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Butterfingers is a Malaysian rock band formed in 1993 and one of the most successful bands in Malaysian underground [2] and mainstream music industry that performed in English language during the early 90s. They have since produced three demos, two compilations and six studio albums.
Jikustik is a pop rock band formed in Yogyakarta, Indonesia in 1996. The group comprises Bassit and Vocal Icha, guitarist Dadi, keyboardist Adhit and drummer Carlo. Jikustik are known for their hit singles, such as "Seribu Tahun Lamanya", "Malam",
The song reached number 12 on Billboard's Hot Digital Tracks chart the week of January 31, 2004. [34] The creation of YouTube helped revive the popularity of the ukulele. One of the first videos to go viral was Jake Shimabukuro's ukulele rendition of George Harrison's "While My Guitar Gently Weeps".
Apart from singing in Malaysian, Indonesian, and English, she has also recorded songs in Mandarin Chinese and Arabic. [13] [14] Following is a list of songs recorded by Siti Nurhaliza in alphabetical order. Literal or close translations for non-English songs are provided where available.
During the 2020-21 COVID-19 pandemic, Orchestra's members unable to tour due to the lockdowns and separated in their various homes released 13 music videos as a group on YouTube, called the Ukulele Lockdown series (these were collected together and released as the virtual opening concert for the 2021 San Francisco Performances PIVOT Festival ...
The song was released worldwide as a digital download on October 18, 2011 and serves as the second single by Atlantic Records from the movie's official soundtrack. [2] Perri re-recorded the song with vocals from Steve Kazee for the sequel The Twilight Saga: Breaking Dawn – Part 2 (2012). It was also produced by Hodges.
A Thousand Years may refer to: "A Thousand Years" (Christina Perri song) "A Thousand Years" (Tom Dice song) "A Thousand Years", a song by Toto from the album The Seventh One "A Thousand Years", a song by Sting from the album Brand New Day; A Thousand Years, an art installation by Damien Hirst
The title of the song is based on a popular slogan of the Red Guard, [1] and was used widely during the Cultural Revolution in public demonstrations and rallies. However, since the end of the Mao era, the song has become more scarcely used due to its links to Mao's pervasive personality cult. However, the instrumental version of the song is ...