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The Great Hypostyle Hall is located within the Karnak Temple Complex, in the Precinct of Amon-Re. It is one of the most visited monuments of Ancient Egypt. The structure was built around the 19th Egyptian Dynasty (c. 1290 –1224 BC). [1] Its design was initially instituted by Hatshepsut, at the North-west chapel to Amun in the upper terrace of ...
The roof may be constructed with bridging lintels of stone, wood or other rigid material such as cast iron, steel or reinforced concrete. There may be a ceiling. The columns may be all the same height or, as in the case of the Great Hypostyle Hall at Karnak, the columns flanking the central space may be of greater height rather than those of the side aisles, allowing openings in the wall above ...
The Beaux-Arts and Secession (Austrian Art Nouveau) styles of Vienna are widely evident in new buildings around the end of the 19th century and the beginning of the 20th century. [80] Egypt's first architectural competition was held in 1894 for the design of the Egyptian Museum, housing the country
One of the architectural features present at the site is the 5,000 sq m (50,000 sq ft) hypostyle hall built during the Ramesside period. The hall is supported by approximately 139 sandstone and mud brick columns, with 12 central columns (25 meters (82 feet) tall) that would have all been brightly painted.
The hypostyle mosque constructed by Muhammad in Medina served as a model for early mosque design throughout the Islamic world. [10] Umayyad religious architecture was the earliest expression of Islamic art on a grand scale [163] and the Umayyad Mosque of Damascus reproduced the hypostyle model at a monumental scale. [164]
Apadana (Old Persian: 𐎠𐎱𐎠𐎭𐎴, [apəˈdänə] or [äpəˈdänə]) is a large hypostyle hall in Persepolis, Iran. It belongs to the oldest building phase of the city of Persepolis, in the first half of the 6th century BC, as part of the original design by Darius the Great. Its construction was completed by Xerxes I. Modern ...
[2]: 28–32 Its design was a major reference point in the architectural history of mosques in the Maghreb. [29]: 273 The mosque features an enormous rectangular courtyard, a large hypostyle prayer hall, and a thick three-story minaret (tower from which the call to prayer is issued).
When rose windows are used in the transept ends, then one of those windows is frequently dedicated to Mary as the Mother of Jesus. In modern Catholic thought, the rose window is often associated with the Virgin Mary because one of her titles, referred to by St Bernard of Clairvaux, is the "Mystical Rose". However, the specific association of ...