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The Division produced 1438 designs for propaganda posters, cards buttons and cartoons in addition to 20000 lantern pictures (slides) to be used with the speeches. [26] Charles Dana Gibson was America's most popular illustrator – and an ardent supporter of the war. When Creel asked him to assemble a group of artists to help design posters for ...
John Tinney McCutcheon (May 6, 1870 – June 10, 1949) was an American newspaper political cartoonist, war correspondent, combat artist, and author who won a Pulitzer Prize for his 1931 editorial cartoon, "A Wise Economist Asks a Question," and became known even before his death as the "Dean of American Cartoonists."
Statistics show that by October 1917, more than two thousand American newspapers had published Raemaekers’ cartoons in hundreds of millions of copies. [10] The popularisation of his work is regarded as the largest propaganda effort of the First World War.
Uncle Sam often personified the United States in political cartoons, such as this one in 1897 about the U.S. annexation of Hawaii. In 1835, Brother Jonathan made a reference to Uncle Sam, implying that they symbolized different things: Brother Jonathan was the country itself, while Uncle Sam was the government and its power. [14]
The media was expected to take sides, not to remain neutral, during World War I.When Wilhelm II declared a state of war in Germany on July 31, the commanders of the army corps (German: Stellvertretende Generalkommandos) took control of the administration, including implementing a policy of press censorship, which was carried out under Walter Nicolai.
Original - Although World War I was triggered by this chain of events unleashed by the assassination, the war's origins go deeper, involving national politics, cultures, economics, and a complex web of alliances and counterbalances that developed between the various European powers over the course of the nineteenth century, following the final 1815 defeat of Napoleon Bonaparte and the ensuing ...
In the First World War, British propaganda took various forms, including pictures, literature and film. Britain also placed significant emphasis on atrocity propaganda as a way of mobilising public opinion against Imperial Germany and the Central Powers during the First World War. [1] For the global picture, see Propaganda in World War I.
A political cartoon from 1919 depicting the October Revolution's impact on the Paris peace talks. The first Red Scare in the United States accompanied the Russian Revolution (specifically the October Revolution) and the Revolutions of 1917–1923. Citizens of the United States in the years of World War I (1914–1918) were intensely patriotic ...