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Carmina Burana is a cantata composed in 1935 and 1936 by Carl Orff, based on 24 poems from the medieval collection Carmina Burana.Its full Latin title is Carmina Burana: Cantiones profanae cantoribus et choris cantandae comitantibus instrumentis atque imaginibus magicis ("Songs of Beuern: Secular songs for singers and choruses to be sung together with instruments and magical images").
An audiobook (or a talking book) is a recording of a book or other work being read out loud. A reading of the complete text is described as "unabridged", while readings of shorter versions are abridgements. Spoken audio has been available in schools and public libraries and to a lesser extent in music shops since the 1930s.
Musica ficta (from Latin, "false", "feigned", or "fictitious" music) was a term used in European music theory from the late 12th century to about 1600 to describe pitches, whether notated or added at the time of performance, that lie outside the system of musica recta or musica vera ("correct" or "true" music) as defined by the hexachord system of Guido of Arezzo.
The Planctus (de obitu) Karoli ("Lament [on the Death] of Charlemagne"), also known by its incipit A solis ortu (usque ad occidua) ("From the rising of the sun [to the setting]"), is an anonymous medieval Latin planctus eulogising Charlemagne, written in accented verse by a monk of Bobbio shortly after his subject's death in 814. [1]
Since the 15th century, popes have made in pectore appointments to manage complex relations among factions within the Church, when publication of a new cardinal's name might provoke persecution of the individual or of a Christian community or, when the identity of the new cardinal is an open secret, to signal defiance of government opposition or stake out a diplomatic or moral position.
Printed antiphonary (ca. 1700) open to Vespers of Easter Sunday. (Musée de l'Assistance Publique – Hôpitaux de Paris)An antiphonary or antiphonal is one of the liturgical books intended for use in choro (i.e. in the liturgical choir), and originally characterized, as its name implies, by the assignment to it principally of the antiphons used in various parts of the Latin liturgical rites.
Mundi homines stupidos, et pectora caeca, rebellis. Et quia sic nostram complerent crimina pellem, Virginis in corpus voluit demittere coelo Ipse Deus prolem, quam nunciet angelus almae Matri, quo miseros contracta sorde lavaret. I myself saw the high God wishing to punish the stupid men of the earth and the blind heart of the rebel.
John Heywood (c. 1497 – c. 1580) was an English writer known for his plays, poems, and collection of proverbs. [ 1 ] [ 2 ] Although he is best known as a playwright, he was also active as a musician and composer, though no musical works survive. [ 3 ]