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The Death of Socrates (French: La Mort de Socrate) is an oil on canvas painted by French painter Jacques-Louis David in 1787. The painting was part of the neoclassical style, popular in the 1780s, that depicted subjects from the Classical age, in this case the story of the execution of Socrates as told by Plato in his Phaedo. [1]
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Created in the months after Marat's death, the painting shows Marat lying dead in his bath after his assassination by Charlotte Corday on 13 July 1793. [2] In 2001, art historian T. J. Clark called David's painting the first modernist work for "the way it took the stuff of politics as its material, and did not transmute it". [3]
For Socrates, to be separated from elenchus by exile (preventing him from investigating the statement) was therefore a fate worse than death. Since Socrates was religious and trusted his religious experiences, such as his guiding daimonic voice, he accordingly preferred to continue to seek the truth to the answer to his question, in the after ...
The Trial of Socrates (399 BC) was held to determine the philosopher's guilt of two charges: asebeia against the pantheon of Athens, and corruption of the youth of the city-state; the accusers cited two impious acts by Socrates: "failing to acknowledge the gods that the city acknowledges" and "introducing new deities".
The myth of Timarchus of Chaeronea within the piece is thought to be an imitation of Plato's Myth of Er (a part of the larger work, known as the Republic). [4] [8]It is noted that De genio Socratis is similar to Phaedo by Plato, in at least due to the fact that both works are concerned especially with the divine sign, that is the daimon, of Socrates.
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The Metropolitan Museum of Art Guide (2012 edition) Authority file: Q1752990; ... The Death of Socrates (1787). Oil on canvas, 129.5 × 196.2 cm (51.0 × 77.2 in ...