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On Rotten Tomatoes, the film has an approval rating of 65% based on reviews from 23 critics, with an average rating of 6/10. [8] On Metacritic, the film has a weighted average score of 47 out of 100 based on 21 critics, indicating "mixed or average reviews". [9] Audiences polled by CinemaScore gave the film an average grade of "B+" on an A+ to ...
Prey has a 13% on Rotten Tomatoes based on eight reviews, with an average rating of 4/10. [ 10 ] Frank Scheck of The Hollywood Reporter gave the film a negative review and he said: Blumhouse has certainly proved very successful with its inventive, low-budget approach to horror, but now that the company is spewing out movies like an assembly ...
Business Insider rounded up the movies that got a 100% score on Rotten Tomatoes in 2024 with 25 reviews or more. Most of the films are fictional dramas centered on family dynamics and working ...
Certainly, movies have broken through over the years, but it’s cool that now the movie that Jhane and I made is one of those things. My desire to make a Predator movie first came with wanting to ...
The film received mixed reviews from critics, with a 40% score on the review aggregator Rotten Tomatoes (with 20 reviews in total). [5] Critics have praised the film's "somber, reflective screenplay", [3] and "warm, affectingly natural performances". [10]
The Predator franchise is the ugly step-child of horror monster canon. Fans know about it, are aware of it, but don’t necessarily give it the credit it deserves. With the original film starring ...
On Metacritic, Prey for Rock & Roll has a weighted average score of 48 out of a 100 based on 18 reviews, indicating "mixed or average reviews". [10] Reviews praised the film for capturing "the flavor of band life", [11] as well as Gershon, [12] [13] with Stephen Holden of The New York Times writing, "Ms. Gershon's hot-wired performance infuses ...
Lawrence George Cohen (July 15, 1936 [a] – March 23, 2019) was an American filmmaker. He originally emerged as the writer of blaxploitation films such as Black Caesar and Hell Up in Harlem (both 1973), before becoming known as an author of horror and science fiction films — often containing police procedural and satirical elements — during the 1970s and 1980s.
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