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2. Midas Consoles - Wikipedia

   en.wikipedia.org/wiki/Midas_Consoles

   In January 2014 at the NAMM Show in Anaheim, California, Midas introduced the M32 ($4,999 MSRP in USA), based largely on parent company Music Tribe's highly-successful Behringer X32 mixer, sharing most of the X32's operating system, but utilizing Midas' Pro series microphone preamps. (X32 uses slightly different Midas-designed preamps, with ...

3. Microphone preamplifier - Wikipedia

   en.wikipedia.org/wiki/Microphone_preamplifier

   A preamplifier might load the microphone with low impedance, forcing the microphone to work harder and so change its tone quality. A preamplifier might add coloration by adding a different characteristic than the audio mixer's built-in preamplifiers.

4. DI unit - Wikipedia

   en.wikipedia.org/wiki/DI_unit

   Preamp-DIs for acoustic instruments often include two channels and a simple mixer, to enable the player to use both a pickup and a condensor microphone. Some preamp-DIs provide phantom power, in case this is required to power a condenser microphone. Preamp-DI units may be battery powered, have an AC mains plug, or both.

5. Pro Tools - Wikipedia

   en.wikipedia.org/wiki/Pro_Tools

   Pro Tools is a digital audio workstation (DAW) developed and released by Avid Technology (formerly Digidesign) [1] for Microsoft Windows and macOS. [2] It is used for music creation and production, sound for picture (sound design, audio post-production and mixing) [3] and, more generally, sound recording, editing, and mastering processes.

6. Helios (mixing console) - Wikipedia

   en.wikipedia.org/wiki/Helios_(mixing_console)

   An updated version of the plug-in was introduced in 2018. [1] In 2010, Waves Audio introduced the Kramer HLS Channel plug-in based on the input channel of Helios consoles. Waves developed the plug-in in cooperation with producer/engineer Eddie Kramer and with the use of the Rolling Stones Mobile Studio Helios console. [22]

7. Mixing console - Wikipedia

   en.wikipedia.org/wiki/Mixing_console

   The input/preamp conditions the signal from the external device and this controls the amount of amplification or attenuation that is applied to the input signal to bring it to a nominal level for processing. Due to the high gains involved (around +50 dB, for a microphone), this stage is where most noise and interference is picked up.