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An arpeggio (Italian: [arˈpeddʒo]) is a type of broken chord in which the notes that compose a chord are individually sounded in a progressive rising or descending order. Arpeggios on keyboard instruments may be called rolled chords .
Equivalent patterns in 4 4 and 3 4 [1] Play 4 4 ⓘ and Play 3 4 ⓘ Alberti bass patterns on V 7 Alberti bass in the opening of Thomas Attwood's (1765–1838) Sonatina in G Major [2] Play ⓘ Alberti bass in the opening of Muzio Clementi's Sonatina in G, Op. 36, No. 2 (1797) [3] Play ⓘ The opening of the 5th of Beethoven's Seven Variations on "God Save the King" WoO 78 (1804) introduces ...
broken chord A chord in which the notes are not all played at once, but in some more or less consistent sequence. They may follow singly one after the other, or two notes may be immediately followed by another two, for example. See also arpeggio, which as an accompaniment pattern may be seen as a kind of broken chord; see Alberti bass. bruscamente
A chord can also be played one note at a time (see "arpeggio" and "broken chord"). chorus. 1. A choir or a group of singers. 2. A section of a song typically repeated a number of times alternating with verses, bridges, solos etc.
The four basic chord types are major, minor, minor-major, and dominant. When written in a jazz chart, these chords may have alterations specified in parentheses after the chord symbol. An altered note is a note which is a deviation from the canonical chord tone. [citation needed] There is variety in the chord symbols used in jazz notation.
The coda in bar 20 uses an extended arpeggio in the tonic that confirms the key of B-flat major. One copy of the prelude by a Bach pupil has the word adagio to the big chords in bar 11, which suggests that the second period should have a more improvisatory rhythm. [2] [3] Below are the opening bars of the prelude:
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
The terms quartal and quintal imply a contrast, either compositional or perceptual, with traditional harmonic constructions based on thirds: listeners familiar with music of the common practice period are guided by tonalities constructed with familiar elements: the chords that make up major and minor scales, all in turn built from major and minor thirds.