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Cakewalk – a pre-ragtime dance form popular until about 1904. The music is intended to be representative of an African American dance contest in which the prize is a cake. Many early rags are cakewalks.
The cakewalk was influenced by the ring shout, which survived from the 18th into the 20th century. [5] This dance style was often part of African American slaves' religious ceremonies and involved shuffling the feet counterclockwise in a circle (ring) formation and reciting spirituals in a call-and-response format with others outside of the ring.
Since being rediscovered during the first ragtime revival during the 1950s, "Mississippi Rag" has traditionally been regarded as one of the first mature ragtime composition to be published. Some musicians, for example Bill Edwards, [ 1 ] prefer to classify the piece as a cakewalk , that is of a slightly earlier precursor style from which ...
In the 1890s, more sophisticated African-American styles of the cakewalk and then ragtime music started to become popular. Originally associated primarily with poor African Americans, ragtime was quickly denounced as degenerate by conservatives and the classically trained establishment.
The following other wikis use this file: Usage on ar.wikipedia.org راجتايم (موسيقى) Usage on ast.wikipedia.org Ragtime; Usage on az.wikipedia.org
Ragtime is a refined and evolved form of the African American cakewalk dance, mixed with styles ranging from European marches [58] and popular songs to jigs and other dances played by large African American bands in northern cities during the end of the 19th century.
The "Swipesy Cakewalk" is a ragtime composition published in 1900 by a musical duo consisting of Scott Joplin, who likely composed the trio, and the young composer Arthur Marshall, who most probably composed the rest of the piece with oversight from Joplin. [1] "
During his career, Joplin wrote over 40 original ragtime pieces, one ragtime ballet, and two operas. One of his first pieces, the " Maple Leaf Rag " (1899), has been recognized as the archetypal rag and influenced subsequent rag composers thanks to its rhythmic patterns, melody lines, and harmony.