Search results
Results from the WOW.Com Content Network
In music, the terms additive and divisive are used to distinguish two types of both rhythm and meter: . A divisive (or, alternately, multiplicative) rhythm is a rhythm in which a larger period of time is divided into smaller rhythmic units or, conversely, some integer unit is regularly multiplied into larger, equal units.
This page was last edited on 20 April 2010, at 21:20 (UTC).; Text is available under the Creative Commons Attribution-ShareAlike 4.0 License; additional terms may ...
Sub-Saharan African rhythm is divisive rhythm. However, perhaps because of their seemingly asymmetric structure, bell patterns are sometimes perceived in an additive rhythmic form. For example, Justin London describes the five-stroke version of the standard pattern as "2-2-3-2-3", [ 39 ] while Godfried Toussaint describes the seven-stroke form ...
Từ điển bách khoa Việt Nam (lit: Encyclopaedic Dictionary of Vietnam) is a state-sponsored Vietnamese-language encyclopedia that was first published in 1995. It has four volumes consisting of 40,000 entries, the final of which was published in 2005. [1] The encyclopedia was republished in 2011.
Đờn ca tài tử (Chữ Hán: 彈 歌 才子) or nhạc tài tử (樂才子) is a genre of chamber music in the traditional music of southern Vietnam. Its instrumentation resembles that of the ca Huế style; additionally, modified versions of the European instruments guitar, violin, and steel guitar are used.
In many regions of Northern Vietnam, the pair /n/ and /l/ have merged into one, they are no longer two opposing phonemes. Some native Vietnamese speakers who lack linguistic knowledge believe that pronouncing the initial consonant of a word whose orthographic form begins with the letter l as /n/ , n as /l/ is nói ngọng . [ 3 ]
Đàn tre ("bamboo instrument") - A hybrid form of the Vietnamese plucked string instrument, similar to a Đàn tính, called a Đàn tre, was created by Nguyễn Minh Tâm, who escaped from Vietnam in 1982 and ultimately settled in Australia. The instrument has twenty-three 800 mm (31 in)-long wire strings attached to a bamboo tube with a ...
In Vietnam, the people played sáo when resting on the fields or before going to sleep at night. By the end of the 1970s, artists Đinh Thìn and Ngo Nam modernized the sáo by making this 6-finger-hole flute into 10-finger-hole flute, extending its register. [ 1 ]