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The premise of a text such as a book, film, or screenplay is the initial state of affairs that drives the plot. Most premises can be expressed very simply, and many films can be identified simply from a short sentence describing the premise.
An example of this is the use of the rules of inference found within symbolic logic. Aristotle held that any logical argument could be reduced to two premises and a conclusion. [2] Premises are sometimes left unstated, in which case, they are called missing premises, for example: Socrates is mortal because all men are mortal.
A log line or logline is a brief (usually one-sentence) summary of a television program, film, short film or book, that states the central conflict of the story, often providing both a synopsis of the story's plot, and an emotional "hook" to stimulate interest. [1] A one-sentence program summary in TV Guide is a log line. [2] "
Little Red Riding Hood is the story of a young girl's encounter with a dangerous wolf in the woods. The girl, named Little Red Riding Hood for the clothes she wears, is described as "a dear little girl who was loved by everyone who looked at her". She begins the story by trying to take some food to her ailing grandmother in the woods.
High concept is a type of artistic work that can be easily pitched with a succinctly stated premise. [1] It can be contrasted with low concept, which is more concerned with character development and other subtleties that are not as easily summarized. The origin of the term is disputed. [2]
The three-act structure is a model used in narrative fiction that divides a story into three parts , often called the Setup, the Confrontation, and the Resolution. It has been described in different ways by Aelius Donatus in the fourth century A.D. and by Syd Field in his 1979 book Screenplay: The Foundations of Screenwriting .
In his new anthology series The Premise (now streaming on FX on Hulu with its first two episodes), the creator/executive producer weaponizes comedy to jab some of modern society’s biggest issues.
The ascending three, where each event is of more significance than the preceding, for example, the hero must win first bronze, then silver, then gold objects. The contrasting three, where only the third has positive value, for example, The Three Little Pigs, two of whose houses are blown down by the Big Bad Wolf.