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The William Farquhar Collection of Natural History Drawings consists of 477 watercolour botanical drawings of plants and animals of Malacca and Singapore by unknown Chinese (probably Cantonese) artists that were commissioned between 1819 and 1823 by William Farquhar (26 February 1774 – 13 May 1839). The paintings were meant to be of ...
[4] [5] [6] The tree's height was measured from the top of the crown to the lowest part of the buttress, [3] giving an averaged measurement of 97.58 m. [ 7 ] An almost equally tall R. faguetiana , 96.9 m (318 ft), was found in 2018 in the Tawau Hills National Park , Sabah , some 24 km (15 mi) from Tawau and about 9.5 km (5.9 mi) from the park ...
While common macro subjects – bees, dragonflies, and so on – could be described as wildlife, their world also makes for good photography. Many photographers record images of the texture in a stone, tree bark, leaf, or any of other small scenes. Many of these images are abstract. [14] Tiny plants and mushrooms are also popular subjects ...
Rather than painting landscapes from afar like traditional painters, 19th-century rural painters climbed or walked into forested areas for a close view of wooded scenes. Paintings of the sous-bois, evoking the trees and grassy undergrowth, were often made vertically on canvas, as opposed to horizontal views of sweeping landscapes.
The world tree is a motif present in several religions and mythologies, particularly Indo-European, Siberian, and Native American religions. The world tree is represented as a colossal tree which supports the heavens, thereby connecting the heavens, the terrestrial world, and, through its roots, the underworld.
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These three views are known as front view (also elevation view), top view or plan view and end view (also profile view or section view). When the plane or axis of the object depicted is not parallel to the projection plane, and where multiple sides of an object are visible in the same image, it is called an auxiliary view .
The Tree is an oil painting on canvas with dimensions 92 by 73.2 cm (36 + 1 ⁄ 4 by 28 + 5 ⁄ 8 inches), signed and dated Albert Gleizes 10, lower right.. Gleizes practically subjugates The Tree in the foreground—its thin trunk slightly off-center and foliage cropped at the top—to a secondary role within a meticulously geometric World landscape.