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She described those elements as "main elements of Azerbaijani female dance", [22] while pointing out that "syzme" is an "integral part of Armenian dance". [23] Tkachenko also noted that in Armenia, the lyrical dance of the bride was performed after the solemn dances of the matchmaker, parents, and groom, to the melodies of "Uzundara", "Nunufar ...
The place of origin for the dance Uzundara is often believed to be Nagorno-Karabakh (also known as Artsakh). [28] In the collection "Azerbaijani folk dances" it is suggested that the Uzundara dance spread among the Karabakh Armenians as a result of living in close proximity to the Azerbaijanis. [29]
The following is a list with the most notable dances. Names of many Greek dances may be found spelt either ending with -o or with -os.This is due to the fact that the word for "dance" in Greek is a masculine noun, while the dance itself can also be referred to by a neuter adjective used substantively.
This dance was first staged by famous Azerbaijani composer Uzeyir Hajibeyov in his second operetta O olmasın, bu olsun (1911). The creator and first performer of this dance was famous accordionist Teyyub Damirov. This dance was first processed and pitched in 1937 by Said Rustamov. Ganjlik (Gənclik or Bəy) is a male dance.
Lezginka (Azerbaijani: Ləzgi) is a popular Caucasian dance. Mirzayi (Azerbaijani: Mirzəyi) is traditionally played at weddings and performed by men and women with handkerchiefs. Uzundara (Azerbaijani: Uzundərə; "long valley") is an elegant and lyrical dance performed by women and popular in Azerbaijan, Armenia and Georgia.
Shalakho (Շալախօ) - A dance for men from Ancient Armenia. It is performed in dance studios by men, but danced at public gatherings by women as well. Tamzara (Թամզարա) - A dance originating in the Armenian Highlands. Yarkhushta (Յարխուշտա) - Yarkhushta is a martial dance from the Taron and Aghdznik regions of Western Armenia.
"Perreo," the name of the dance performed to the rhythm of the widely popular Latin urban genre reggaeton, which has deep roots in Puerto Rico, is officially a Spanish word.
Ethnochoreology (also dance ethnology, dance anthropology) is the study of dance through the application of a number of disciplines such as anthropology, musicology, ethnomusicology, and ethnography. The word itself is relatively recent and etymologically means "the study of ethnic dance ", though this is not exclusive of research on more ...