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X-Y microphone capsules can be mounted in one unit, or even on the top of a handheld digital recorder. M/S arrays can be very compact and fit easily into a standard blimp windscreen, which makes boom-operated stereo recordings possible. They provide a variable soundstage width to match a zoom lens, which can be manipulated in post-production ...
A talkback microphone in a recording studio. In sound recording, a talkback system is the intercom used in recording studios and production control rooms (PCRs) in television studios to enable personnel to communicate with people in the recording area or booth.
The ZYLIA ZM-1 [23] is a commercially available microphone capable of generating third-order ambisonic recordings, using 19 omni-directional capsules. The em64 Eigenmike from mh acoustics [24] is a 64-channel spherical microphone array capable of sixth-order capture. The production of the em64 has superseded their previous em32 microphone. [25]
The Decca Tree setup evolved from the idea of a minimal recording technique using a pair of microphones. The first system was developed by Roy Wallace. The microphone triangle was placed about 3 to 3.6 m high above the stage level, near the conductor. The microphone system is not properly in front of the orchestra, but more "into" the orchestra.
Electro-Voice (EV) is an American manufacturer of audio equipment, including microphones, amplifiers, and loudspeakers, focused on pro audio applications such as sound reinforcement and commercial and residential audiovisual installations.
Single system audio is the system of recording sound on film or SOF. There are two methods of recording, the older method, optical and the later method, magnetic. SOF was primarily used for news film prior to the advent of portable videotape recording, but was used until recently for documentary film recording. [1]
The A2's job may include monitoring a microphone receiver rack such as the one pictured. A2 is an abbreviation for "Production Audio Technician", Audio Assistant, Second Audio Assistant, or Second Assistant Audio Engineer. Any of these three terms, or any similar term such as Mic Wrangler, may be used to describe the same set of duties.
[1] The microphones should be as similar as possible, preferably a frequency-matched pair of an identical type and model. The result is a realistic stereo field that has reasonable compatibility with mono playback. Since the cardioid polar pattern rejects off-axis sound, less of the ambient room characteristics are picked up.
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