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Space music appears in many film soundtracks and is commonly played in planetariums. [21] According to Hill space music is an eclectic music produced almost exclusively by independent labels and it occupies a small niche in the marketplace, supported and enjoyed by a relatively small audience of loyal enthusiastic listeners. [22]
The soundtrack for the 2018 American animated superhero film Spider-Man: Into the Spider-Verse, based on the Miles Morales incarnation of the Marvel Comics character Spider-Man and produced by Sony Pictures Animation, consists of a soundtrack featuring original songs written for and inspired by the film and an original score composed by Daniel Pemberton.
Several songs are featured in the film that are absent from the soundtrack album, including "I Zimbra" by Talking Heads, "Native New Yorker" by Odyssey, "Scraper" by Liquid Liquid, "No Sleep 'Til Brooklyn" by Beastie Boys, "Concerto for 2 Violins in G major, RV 516" by Antonio Vivaldi, "Deck the Halls" by Thomas Oliphant, and "The Magic Number" by De La Soul.
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Spatial music is composed music that intentionally exploits sound localization. Though present in Western music from biblical times in the form of the antiphon , as a component specific to new musical techniques the concept of spatial music ( Raummusik , usually translated as " space music ") was introduced as early as 1928 in Germany.
Spider-Man: Music from and Inspired by is a 2002 soundtrack album for the film Spider-Man. Although it contains a portion of the film score by Danny Elfman , a more complete album of Elfman's work was released as Spider-Man: Original Motion Picture Score .
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In 1777, Joseph Haydn's opera "Il mondo della luna"("The world on the moon") premiered. Author and classical music critic David Hurwitz describes Joseph Haydn's choral and chamber orchestra piece, The Creation, composed in 1798, as space music, both in the sense of the sound of the music, ("a genuine piece of 'space music' featuring softly pulsating high violins and winds above low cellos and ...