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Whitman revised the poem heavily; by the last edition of Leaves of Grass, the poem was changed from its original form to an extent that was unmatched by any other of Whitman's poems. [4] The poem was untitled before 1855, taking the name "I wander all night" from the first line.
The sleep of this story is said by Coleridge to be a sleep of opium, and Kubla Khan may be read as an early poetic description of this drug experience. The fact that the poem is generally regarded as one of Coleridge's best is one reason for the continuing interest and debate about the opium's role in his creative output and in Romanticism in ...
The Poem of Ecstasy (Le Poème de l'extase), Op. 54, is a symphonic poem by Russian composer and pianist Alexander Scriabin written between 1905 and 1908, [1] when Scriabin was actively involved with the Theosophical Society. [2] The 20-minute work premiered on 10 December 1908 in New York City.
Pages in category "Poems about drugs" ... The Wild Party (poem) This page was last edited on 21 January 2023, at 07:45 (UTC). Text is available under the Creative ...
"Sleep and Poetry" (1816) is a poem by the English Romantic poet John Keats.It was started late one evening while staying the night at Leigh Hunt's cottage. [citation needed] It is often cited [by whom?] as a clear example of Keats's bower-centric poetry, yet it contains lines that make such a simplistic reading problematic, [clarification needed] such as: "First the realm I'll pass/Of Flora ...
"Do not go gentle into that good night" is a poem in the form of a villanelle by Welsh poet Dylan Thomas (1914–1953), and is one of his best-known works. [1] Though first published in the journal Botteghe Oscure in 1951, [ 2 ] Thomas wrote the poem in 1947 while visiting Florence with his family.
"In The Bazaars of Hyderabad" is a poem by Indian Romanticism and Lyric poet Sarojini Naidu (1879–1949). The work was composed and published in her anthology The Bird of Time (1912)—which included "Bangle-sellers" and "The Bird of Time", it is Naidu's second publication and most strongly nationalist book of poems, published from both London and New York City.
The speaker of the poem describes the gruesome effects of the gas on the man, and concludes that anyone who sees the reality of war at first hand would not repeat mendacious platitudes such as dulce et decorum est pro patria mori: "How sweet and honourable it is to die for one's country". Owen himself was a soldier who served on the front line ...