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A Christmas tree inside a home, with the top of the tree containing a decoration symbolizing the Star of Bethlehem. [18]The Christmas tree was first used by German Lutherans in the 16th century, with records indicating that a Christmas tree was placed in the Cathedral of Strassburg in 1539, under the leadership of the Protestant Reformer, Martin Bucer.
The bungalow, by the beginning ownership period of the Veach family, had shag carpeting and indoor-outdoor carpeting in spaces on the first floor, and several layers of paint over trim and wainscotting; all alterations were removed. Original wall sconces were missing and most of the ceiling stencils needed to be restored. By late-2010, only the ...
Jessica Powers' chapter primarily discusses the Casa Degli Amorini Dorati in Pompeii, where 18 wall ornaments were found, the most of any Pompeiian home. Interior wall ornament in a Pompeian home would typically divide the wall into three or more sections under which there would be a dado taking up roughly one-sixth of the height of the wall. [7]
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A panel painting is a painting made on a flat panel of wood, either a single piece or a number of pieces joined together. Until canvas became the more popular support medium in the 16th century, panel painting was the normal method, when not painting directly onto a wall ( fresco ) or on vellum (used for miniatures in illuminated manuscripts ).
Artesonado in the Throne Room of the Aljafería in Zaragoza, Spain Artesonado in the Tlaxcala City Cathedral, Mexico. Artesonado or Spanish ceiling is a term for "a type of intricately joined wooden ceiling in which supplementary laths are interlaced into the rafters supporting the roof to form decorative geometric patterns", [1] found in Spanish architecture.
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The choice of paint color on the walls in Victorian homes was said to be based on the use of the room. Hallways that were in the entry hall and the stair halls were painted a somber gray so as not to compete with the surrounding rooms. Most people marbleized the walls or the woodwork.
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