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New York, acting as agent for Pellerin, 1936 [2]; sold to the City of Philadelphia for the W. P. Wilstach Collection, July 6, 1937 [3]. 1. Lent by M. and Mme. Pellerin to the 1936 exhibition "Cézanne", Musée de l'Orangerie, Paris, no. 107. 2. Provenance per John Rewald, The Paintings of Paul Cézanne: A Catalogue Raisonné, New York, 1996, no ...
The Bathers (French: Les Grandes Baigneuses) is an oil painting by French artist Paul Cézanne (1839–1906) first exhibited in 1906. The painting, which is exhibited in the Philadelphia Museum of Art, is the largest of a series of Bather paintings by Cézanne; the others are in the Museum of Modern Art in New York City, National Gallery, London, the Barnes Foundation, Pennsylvania, and the ...
The painting is owned and displayed by the Barnes Foundation museum in Philadelphia, Pennsylvania. The Card Players, 1890–1892, Metropolitan Museum of Art, New York. A more condensed version of this painting with four figures, long thought to be the second version of The Card Players, is in the Metropolitan Museum of Art in New York. At 65.4 ...
The Metropolitan Museum of Art, New York City United States The Boy in the Red Vest: 1888–1890 80 × 64 cm Foundation E.G. Bührle, Zurich Switzerland Boy in a Red Vest: 1888–1890 81 × 85 cm Museum of Modern Art, New York City United States Boy in a Red Waistcoat: 1888–1890 92 × 73 cm National Gallery of Art, Washington, D.C. United States
His aim was "to make of Impressionism something solid and durable, like the art of museums." [3] It was painted in the 'mature' period of Cézanne's work. [4] The Mont Sainte-Victoire and the Viaduct of the Arc River Valley was a bequest to the Metropolitan Museum of Art by Henry Osborne Havemeyer and his wife Louisine Waldron Elder Havemeyer ...
Three Bathers (French: Trois Baigneuses) is an 1879-1882 oil-on-canvas painting by Paul Cézanne, which is housed in the Petit Palais in Paris. It shows three bathing female nudes framed in an arch formed by two trees.
Still Life with Bread and Eggs (Le pain et les oeufs) is an 1865 painting by Paul Cézanne in the collection of the Cincinnati Art Museum. It is considered one of Cézanne's most important early still life paintings. In 2022 it was discovered it had been painted over an earlier portrait, possibly a self-portrait.
The Basket of Apples (French: Le panier de pommes) is a still-life oil painting by French artist Paul Cézanne, which he created c. 1893. The painting rejected naturalistic representation in favor of distorting objects to create multiple perspectives. This approach eventually influenced other art movements, including Fauvism and Cubism.