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Hippie and psychedelic culture influenced 1960s to mid 1970s teenager and youth culture in Iron Curtain countries in Eastern Europe (see Mánička). [15] Hippie fashion and values had a major effect on culture, influencing popular music, television, film, literature, and the arts. Since the 1960s, mainstream society has assimilated many aspects ...
[60] [61] [62] Hippies were also vilified and sometimes attacked by punks, [63] revivalist mods, greasers, football casuals, Teddy Boys and members of other American and European youth cultures in the 1970s and 1980s. Hippie ideals were a marked influence on anarcho-punk and some post-punk youth cultures, such as the Second Summer of Love.
[citation needed] The idea of the Human Be-In was born of a fear that the movement would be erased due to tensions between factions of the Hippie movement. [citation needed] Bowen writes "The anti-war and free speech movement in Berkeley thought the Hippies were too disengaged and spaced out. Their influence might draw the young away from ...
As members of the hippie movement grew older and moderated their lives and their views, and especially after US involvement in the Vietnam War ended in the mid-1970s, the counterculture was largely absorbed by the mainstream, leaving a lasting impact on philosophy, morality, music, art, alternative health and diet, lifestyle and fashion.
The song was a popular hit, reaching number 4 on the music chart in the United States and number 1 in the United Kingdom and most of Europe, [8] [9] and became an unofficial anthem for hippies, flower power and the flower child concept.
In fact, there’s a whole field of study it falls under: systematic musicology, or the academic discipline defined by deep investigation of music via research and scholarly analysis.
Freak scene music was an eclectic mixture based around progressive rock and experimentalism. There were crossover bands bridging rock and jazz, rock and folk, rock and sci-fi . BBC radio presenter John Peel presented a nightly show that featured the music.
The music didn’t evoke anything particular about the city’s character. It evoked its conception. “It’s still probably one of my favorite things Eric and I ever wrote,” Navarro said.