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Hippie and psychedelic culture influenced 1960s to mid 1970s teenager and youth culture in Iron Curtain countries in Eastern Europe (see Mánička). [15] Hippie fashion and values had a major effect on culture, influencing popular music, television, film, literature, and the arts. Since the 1960s, mainstream society has assimilated many aspects ...
[60] [61] [62] Hippies were also vilified and sometimes attacked by punks, [63] revivalist mods, greasers, football casuals, Teddy Boys and members of other American and European youth cultures in the 1970s and 1980s. Hippie ideals were a marked influence on anarcho-punk and some post-punk youth cultures, such as the Second Summer of Love.
As members of the hippie movement grew older and moderated their lives and their views, and especially after US involvement in the Vietnam War ended in the mid-1970s, the counterculture was largely absorbed by the mainstream, leaving a lasting impact on philosophy, morality, music, art, alternative health and diet, lifestyle and fashion.
[citation needed] The idea of the Human Be-In was born of a fear that the movement would be erased due to tensions between factions of the Hippie movement. [citation needed] Bowen writes "The anti-war and free speech movement in Berkeley thought the Hippies were too disengaged and spaced out. Their influence might draw the young away from ...
The song was a popular hit, reaching number 4 on the music chart in the United States and number 1 in the United Kingdom and most of Europe, [8] [9] and became an unofficial anthem for hippies, flower power and the flower child concept.
The prelude to the Summer of Love was a celebration known as the Human Be-In at Golden Gate Park on January 14, 1967, [8] which was produced and organized by artist Michael Bowen. [ 9 ] [ 10 ] [ 11 ] It was at this event that Timothy Leary voiced his phrase, " turn on, tune in, drop out ". [ 12 ]
In fact, there’s a whole field of study it falls under: systematic musicology, or the academic discipline defined by deep investigation of music via research and scholarly analysis.
The Theory and Technique of Electronic Music (2007) Max (software), Pure Data: Philip Ewell: born 1966 Music Theory and the White Racial Frame (2020) Race in music, Russian and twentieth century music, as well as rap and hip hop [218] Ellie Hisama: Gendering Musical Modernism: The Music of Ruth Crawford, Marion Bauer, and Miriam Gideon (2007)