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"Footprints," also known as "Footprints in the Sand," is a popular modern allegorical Christian poem. It describes a person who sees two pairs of footprints in the sand, one of which belonged to God and another to themselves. At some points the two pairs of footprints dwindle to one; it is explained that this is where God carried the protagonist.
The B-side is an instrumental version of the song with narration of the poem by disc jockey Johnny Dark. [ 2 ] The song has no relation to a 1961 song "Footprints In The Sand" written by Gwynn Elias & Irving Reid which was recorded by Garry Mills , which begins "I was to meet my baby", and then by The Marcels with the refrain "I saw those ...
Words can hold a lot of power. They can uplift and inspire. Here are 50 quotes about life to motivate you.
Print/export Download as PDF ... Appearance. move to sidebar hide. Footsteps in the Sand may refer to: Footsteps ... 2010 Bulgarian film "Footprints" (poem), a poem ...
Footprints in the Sand, a 1983 album by Cristy Lane, or the title track; Footprints in the Sand, a 1994 album by Larry Norman "Footprints in the Sand" (Edgel Groves song), 1980 "Footprints in the Sand" (Leona Lewis song), 2008 "Footprints in the Sand", a smooth jazz recording by George Benson on the 1996 album That's Right
The double A-side "Better in Time" and "Footprints in the Sand" debuted at number seventy-four on the UK Singles Chart on 1 March 2008. [38] After selling 40,476 copies it peaked at number two on 22 March 2008, [35] the same week "Footprints in the Sand" debuted in the top forty. [35] It was Lewis's third single to reach the top five in the UK ...
Print shows Maud Muller, John Greenleaf Whittier's heroine in the poem of the same name, leaning on her hay rake, gazing into the distance. Behind her, an ox cart, and in the distance, the village "Maud Muller" is a poem from 1856 written by John Greenleaf Whittier (1807–1892). It is about a beautiful maid named Maud Muller.
Longfellow wrote the poem shortly after completing lectures on German writer Johann Wolfgang von Goethe and was heavily inspired by him. He was also inspired to write it by a heartfelt conversation he had with friend and fellow professor at Harvard University Cornelius Conway Felton; the two had spent an evening "talking of matters, which lie near one's soul:–and how to bear one's self ...