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Famille rose bowl, Imperial porcelain, Jingdezhen. Famille rose (French for "pink family") is a type of Chinese porcelain introduced in the 18th century and defined by pink overglaze enamel. It is a Western classification for Qing dynasty porcelain known in Chinese by various terms: fencai, ruancai, yangcai, and falangcai. [1]
Many produced in the Qianlong period were on eggshell porcelain. Famille rose supplanted famille verte in popularity, and its production overtook blue and white porcelain in the mid-18th century. It remained popular throughout the 18th and 19th centuries and continued to be made in the 20th century.
The porcelain trade became important during the late Ming dynasty and was so throughout the Qing dynasty. [2] The growth reflected a creative influence that improved the artistic design of the porcelain and generated high demand in Europe. [3] Chinese porcelain made specifically for export to Europe is known as Chinese export porcelain.
This vase with a nine peach design is part of the Chinese collection of the Indianapolis Museum of Art, which is in Indianapolis, Indiana, United States.It is a fine piece of Jingdezhen porcelain with overglaze (or "enamel") decoration dating from the Qianlong period of the Qing dynasty, so it was made between 1736 and 1795.
English: Pottery and Porcelain Gallery, Palace Museum, Taipei, Taiwan. Complete indexed photo collection at WorldHistoryPics.com. Complete indexed photo collection at WorldHistoryPics.com. Date
Kangxi reign marks on porcelain are few throughout the ceramic period, but a few can be identified with the pre‑1677 decades. Earlier Ming period marks can frequently be found. Their styles closely match the few Kangxi marks that are found and aid in delineating Kangxi transitional porcelain.
After the death of Qianlong, the Jiaqing Emperor confiscated Heshen's wealth and forced him to commit suicide. As an official, he acquired an estimated at 1.1 billion taels of silver, equal to roughly US$270 billion. Heshen is remembered as one of the richest men in history.
Kangxi period mark on a piece of late nineteenth century blue and white porcelain. Chinese potters have a long tradition of borrowing design and decorative features from earlier wares. Whilst ceramics with features thus borrowed might sometimes pose problems of provenance, they would not generally be regarded as either reproductions or fakes ...
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