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James Gillray (13 August 1756 [1] [2] – 1 June 1815) was a British caricaturist and printmaker famous for his etched political and social satires, mainly published between 1792 and 1810. Many of his works are held at the National Portrait Gallery in London.
Shown on the opposition bench are other leaders of the Whig opposition including Charles James Fox. The work was reportedly originally dashed off by Gillray on a scrap of paper in a few hours. [2] Pitt describes the opposition as like a newly opened bottle which "bursts all at once, into an explosion of froth and air". [3]
Works by the British caricaturist James Gillray (1756–1815) Pages in category "Works by James Gillray" The following 5 pages are in this category, out of 5 total.
The Spanish Bullfight is an 1808 satirical cartoon by the British caricaturist James Gillray which presents the ongoing Napoleonic Wars as a bullfight. [1] It was inspired by the Dos de Mayo Uprising in Madrid and other uprisings across Spain against French occupation which triggered the Peninsular War. Spain, previously an enemy of Britain ...
His work included a personification of England named John Bull who was developed from about 1790 in conjunction with other British satirical artists such as James Gillray, and Thomas Rowlandson. [8] Old Bumblehead the 18th trying on Napoleon Boots 1823. Cruikshank replaced one of his major influences, James Gillray, as
The American Rattle Snake is a political cartoon drawn by James Gillray and published by William Richardson on April 12, 1782. One of Gillray's earliest prints, it depicts a rattlesnake, symbolizing America, coiled around some British units.
James Gillray, Buonaparte, 48 hours after landing!--Vide John Bulls home-stroke, armed en masse (1803). British anti-invasion preparations of 1803–05 were the military and civilian responses in the United Kingdom to Napoleon's planned invasion of the United Kingdom.
In James Gillray's cartoon, Britannia between Scylla and Charybdis (3 June 1793), [9] "William Pitt helms the ship Constitution, containing an alarmed Britannia, between the rock of democracy (with the liberty cap on its summit) and the whirlpool of arbitrary power (in the shape of an inverted crown), to the distant haven of liberty". [10]
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