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The uniform isomorphic layout makes fingering patterns consistent, so only one fingering must be learned, instead of twelve for each hand (24 patterns in total) as on the piano. The normally troublesome black keys move out of the way and are split into two groups: a "sharp" and a "flat" section.
As with stringed instruments, finger substitution is used for a variety of reasons on piano passages. The technique is often used to create a connected, flowing legato phrasing, or smooth out sequence of consecutive thirds. For complex passages, finger substitution is sometimes used to make a fingering pattern more consistent and easy to remember.
The Virtuoso Pianist (Le Pianiste virtuose) by Charles-Louis Hanon (1819 – 1900), is a compilation of sixty exercises meant to train the pianist in speed, precision, agility, and strength of all of the fingers and flexibility in the wrists.
A Jankó keyboard. The Jankó keyboard is a musical keyboard layout for a piano designed by Paul von Jankó, a Hungarian pianist and engineer, in 1882.It was designed to overcome two limitations on the traditional piano keyboard: the large-scale geometry of the keys (stretching beyond a ninth, or even an octave, can be difficult or impossible for pianists with small hands), and the fact that ...
In notation for keyboard instruments, numbers are used to relate to the fingers themselves, not the hand position on the keyboard. In modern scores, the fingers are numbered from 1 to 5 on each hand: the thumb is 1, the index finger is 2, the middle finger is 3, the ring finger is 4 and the little finger is 5.
On keyboard string instruments, such as the piano, pizzicato may be employed (although rarely seen in traditional repertoire, this technique has been normalized in contemporary music, with ample examples by George Crumb, Toru Takemitsu, Helmut Lachenmann, and others) as one of the variety of techniques involving direct manipulation of the ...
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