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When the cut is finished, it is the assistant's job to bring the film or television show "online". They create lists and instructions that tell the picture and sound finishers how to put the edit back together with the high-quality original elements. Assistant editing can be seen as a career path to eventually becoming an editor.
The dynamic cutting is an approach to film editing in which the cutting from one shot to the next is made abruptly apparent to the viewer. In matched cutting or invisible editing, the cuts are not as obvious to the viewer because these approaches adhere to continuity procedures designed to hide the edit -for instance, cutting on action. Dynamic ...
The point of the invisible cut is to mask every cut, so the audience could forget they were watching a movie, and fully immerse themselves in the film. Invisible cuts are accomplished by matching the motion and making the switch between shots so smooth, making it look like one fluid motion, even if there is a change of shot composition.
In traditional linear movies, the author can carefully construct the plot, roles, and characters to achieve a specific effect on the audience. Interactivity, however, introduces non-linearity into the movie, such that the author no longer has complete control over the story, but must now share control with the viewer. There is an inevitable ...
The use of music in a film can cause uncertainty with regard to copyright. As of 2010, it is not known whether the use of music in a film constitutes publication of the music for the purpose of copyright. [5] Unpublished works are treated differently from published works under US copyright law. [6]
The transition to color started in earnest when NBC announced in May 1963 that a large majority of its 1964–65 TV season would be in color. [2] By late September 1964, the move to potential all-color programming was being seen as successful [3] and, on March 8, 1965, NBC confirmed that its 1965–66 season will be almost entirely in color. [4]
The first music parody “In Living Color” tackled in its first season was MC Hammer’s ubiquitous “U Can’t Touch This.” With Tommy Davidson playing the superstar rapper, he and the cast ...
Final Cut Pro (often abbreviated FCP or FCPX) is a professional non-linear video-editing application initially developed by Macromedia, and, since 1998, by Apple as part of its pro apps collection. Final Cut Pro allows users to import, edit, and process video footage, and output it to a wide variety of formats.
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