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Repetitive songs contain a large proportion of repeated words or phrases. Simple repetitive songs are common in many cultures as widely spread as the Caribbean, [1] Southern India [2] and Finland. [3] The best-known examples are probably children's songs. Other repetitive songs are found, for instance, in African-American culture from the days ...
Song Album Musical artist Literary work Author Comments Citations "7th Step" Songs Inspired by Literature, Chapter One: Deborah Pardes: Angela's Ashes: Frank McCourt [29] "40" War: U2: The 40th Psalm of the Book of Psalms from the Hebrew Bible and the Christian Old Testament [30] "1984" Diamond Dogs: David Bowie: Nineteen Eighty-Four: George Orwell
In this form (which is more common than thirty-two bar form in later-twentieth century pop music), "choruses" with fixed lyrics are alternated with "verses" in which the lyrics are different with each repetition. In this use of the word, chorus contrasts with the verse, which usually has a sense of leading up to the chorus.
Both African-American women work songs, African American work songs, and the work song, in general, use the call-and-response format often. It can also be found in the music of the Afro-Caribbean populations of Jamaica, Trinidad & Tobago, Bahamas, Barbados, Belize, and many nations of the diaspora, especially Brazil.
In traditional music, repetition is a device for creating recognizability, reproduction for the sake of the music notes of that specific line and the representing ego. In repetitive music, repetition does not refer to eros and the ego, but to the libido and to the death instinct." Repetitive music has also been linked with Lacanian jouissance.
"Ten Blake Songs" are poems from Blake's "Songs of Innocence and of Experience" and "Auguries of Innocence", set to music by Ralph Vaughan Williams in 1957. "Tyger" is both the name of an album by Tangerine Dream, which is based on Blake's poetry, and the title of a song on this album based on the poem of the same name.
Strophic form – also called verse-repeating form, chorus form, AAA song form, or one-part song form – is a song structure in which all verses or stanzas of the text are sung to the same music. [1] Contrasting song forms include through-composed, with new music written for every stanza, [1] and ternary form, with a contrasting central section.
In music, a reprise (/ r ə ˈ p r iː z / rə-PREEZ, [1] French: ⓘ; from the verb reprendre 'to resume') is the repetition or reiteration of the opening material later in a composition as occurs in the recapitulation of sonata form, though—originally in the 18th century—was simply any repeated section, such as is indicated by beginning and ending repeat signs.