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A portable folding reflector positioned to "bounce" sunlight onto a model. Reflectors vary enormously in size, colour, reflectivity and portability. In tabletop still life photography, small mirrors and card stock are used extensively, both to reduce lighting contrast and create highlights on reflective subjects such as glassware and jewelry.
Additive system of photographic exposure. A system to aid calculation of correct exposures, developed in the 1960s. Some aspects are included in Exif. [5] APS-C: A film format defined by the Advanced Photo System as 25.1 × 16.7 mm. Different manufacturers use this term for image sensors measuring between about 20.7 × 13.8 mm to 28.7 × 19.1 ...
A beauty dish is a photographic lighting device that uses a parabolic reflector to distribute light towards a focal point. The light created is between that of a direct flash and a softbox , giving the image a wrapped, contrasted look, which adds a more dramatic effect.
Photographic lighting refers to how a light source, artificial or natural, illuminates the scene or subject that is photographed; put simply, it is lighting in regards to photography. Photographers can manipulate the positioning and the quality of a light source to create visual effects , potentially changing aspects of the photograph such as ...
Before its use in photography, contre-jour was used in painting, where the shadows would fall to the left on the left, to the right on the right and forward in the lower centre. The edges of the subject would show surprising colour effects.
A set of three mutually perpendicular reflective surfaces, placed to form the internal corner of a cube, work as a retroreflector. The three corresponding normal vectors of the corner's sides form a basis (x, y, z) in which to represent the direction of an arbitrary incoming ray, [a, b, c].
This will limit the selection of shutter speeds, and may require the use of shades or reflectors to manipulate the light. It can also influence the time, location, and even orientation of the photo shoot to obtain the desired lighting conditions. Available light can often also produce a color cast with color photography.
In television, film, stage, or photographic lighting, a fill light (often simply fill) may be used to reduce the contrast of a scene to match the dynamic range of the recording media and record the same amount of detail typically seen by eye in average lighting and considered normal. From that baseline of normality, using more or less fill will ...
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