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Joan Miró i Ferrà (/ m ɪ ˈ r oʊ / mi-ROH, [1] US also / m iː ˈ r oʊ / mee-ROH; [2] [3] Catalan: [ʒuˈan miˈɾoj fəˈra]; 20 April 1893 – 25 December 1983) was a Catalan Spanish painter, sculptor and ceramist.
Miroglyph is a neologism coined by French author Raymond Queneau in his 1949 essay entitled Joan Miró ou le poète préhistorique, [1] [2] [3] to describe the pictorial signs of artist Joan Miró, comparing them to letters of an alphabet.
The series shares the synthetic representation of the figure of a Catalan peasant, by a repetition of symbols such as the triangular head, the beard and red hat (called Barretina), all combined in one pole figure. In this group of oil paintings, Miró outlines the figure of a farmer several times, working with neutral background blue or yellow.
The objects chosen by Miro are deliberately poor and humble, tied to ordinary people's life: an old shoe, a little of food, some things found in any kitchen. They stand as a tragic symbol. Its huge size become a threat, [7] reinforced by the contrast of colours and the ghostly light, which sometimes seem to emanate from the objects. [8]
The Harlequin's Carnival (Spanish: Carnaval de Arlequín) is an oil painting painted by Joan Miró between 1924 and 1925. It is one of the most outstanding surrealist paintings of the artist, and it is preserved in the Albright–Knox Art Gallery in Buffalo, New York.
The Tilled Field (French: La terre labourée; Catalan: Terra llaurada) is a 1923–1924 oil-on-canvas painting by Catalan painter Joan Miró, depicting a stylized view of his family's farm at Mont-roig del Camp in Catalonia.
The Dutch interiors are a series of three paintings painted by Joan Miró in 1928, each inspired by Dutch Golden Age paintings of Dutch interiors. Dutch Interior I is a reinterpretation of the Lute Player by Hendrik Martenszoon Sorgh, Dutch Interior II is a reinterpretation of Children Teaching a Cat to Dance by Jan Steen, and Dutch Interior III is a reinterpretation of the Young woman at her ...
Personnages Oiseaux (English: Bird People) is one of Joan Miró's largest works in the United States and his only glass mosaic mural. It was created between 1972 and 1978. It was created between 1972 and 1978.
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