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In the late-18th and 19th centuries, some chant reformers (notably the editors of the Mechlin, Pustet-Ratisbon , and Rheims-Cambrai Office-Books, collectively referred to as the Cecilian Movement) renumbered the modes once again, this time retaining the original eight mode numbers and Glareanus's modes 9 and 10, but assigning numbers 11 and 12 ...
Johann Nikolaus Forkel (22 February 1749 – 20 March 1818) was a German musicologist and music theorist, generally regarded as among the founders of modern musicology. [1] His publications include the two-volume Allgemeine Geschichte der Musik ( General History of Music ), among the first attempts at a history of Western music and the "ground ...
In music, modernism is an aesthetic stance underlying the period of change and development in musical language that occurred around the turn of the 20th century, a period of diverse reactions in challenging and reinterpreting older categories of music, innovations that led to new ways of organizing and approaching harmonic, melodic, sonic, and rhythmic aspects of music, and changes in ...
The Oxford Companion to Music describes three interrelated uses of the term "music theory": The first is the "rudiments", that are needed to understand music notation (key signatures, time signatures, and rhythmic notation); the second is learning scholars' views on music from antiquity to the present; the third is a sub-topic of musicology ...
Karl Wilhelm Julius Hugo Riemann (18 July 1849 – 10 July 1919) was a German musicologist and composer who was among the founders of modern musicology. [1] The leading European music scholar of his time, [1] he was active and influential as both a music theorist and music historian. [2] Many of his contributions are now termed as Riemannian ...
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His exit will mean his tenure as prime minister is the shortest-lived in modern French history. Trump to visit Paris for Notre Dame: Cathedral's reopening in first trip abroad as president-elect.
[1] His most influential work, Emotion and Meaning in Music (1956), combined Gestalt Theory and theories by the Pragmatists Charles Sanders Peirce and John Dewey to try to explain the existence of emotion in music. Peirce had suggested that any regular response to an event developed alongside the understanding of that event's consequences, its ...