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The "I Want to Break Free" music video was directed by David Mallet. It was shot on 22 March and 4 May 1984 at Limehouse Studios. [29] [30] Poster depicting Nijinsky in costume for L'après-midi d'un faune, the inspiration for the central section of the video. The Coronation Street spoof was "suggested by Taylor's then-girlfriend Dominique". [29]
The Miracle is the thirteenth studio album by the British rock band Queen, released on 22 May 1989 by Parlophone Records and Capitol Records in both the United Kingdom and the U.S. respectively, where it was the band's third and final studio album to be released on latter label, and their first studio album on the former label.
The song is a sort of sequel of Taylor's A Night at the Opera composition, "I'm in Love with My Car", which focused on Taylor's passion for cars and race. This time, the song involved all of the other members, that gave life to a fast song with beating drums and rhythmic bass line, eerily note-for-note similar to The Smiths ' " Shakespeare's ...
The video for the song was filmed at Alexandra Palace on 22 December 1979 and directed by Keith "Keef" MacMillan and features animation of a woman and a dove. The video would be the last to feature Freddie without a moustache until 1984, as he would sport it starting with the next video for "Play the Game" until he shaved it off for the music video for "I Want to Break Free".
The song was included into the following albums and compilations: The Miracle, Greatest Hits II, The Platinum Collection, Box of Tricks, Greatest Video Hits 2 (disk 1), Greatest Flix II (VHS) and Queen: The eYe (electronic video game released in 1998 by Electronic Arts).
The song is a sentimental ballad, notably featuring a harp played by Brian May. [2] After Queen performed the song in South America in 1981, the version from their live album Live Killers reached number 1 in the singles chart in Argentina and Brazil, and stayed in the charts in both countries for an entire year. [3] [4]
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The song was released as a single in North America, Japan and New Zealand in 1978, albeit in heavily edited form, and peaked at #74 on the U.S. Billboard Hot 100 [12] and #66 on the Cash Box Top 100. [13] The song was later included on the Queen Rocks compilation in 1997.